26 Films licensed "Keep It Together" to Splendid for German speaking territories.
Absurda - A David Lynch Company has licensed "My Son, My Son What Have Ye Done?" to Kinowelt for German speaking territories. Unified has U.S. and WS has Canada.
Alliance licensed its entire library to Talat Captaan for the Middle East including Iran. It will serve as the basis for Captaan's reentering the sales business.
American World Pictures licensed "Parasomnia" to Kmy Films for Cambodia.
Bavaria’s "Van Dieman’s Land" went to U.K. (High Fliers). "Bad Day To Go Fishing" went to Greece (PCV). "Everyone Else" aka "Alle Anderen" went to CIS (Russian Report). "Let The Right One In" went to Turkey(Bir), Hong Kong (Edko), Colombia (Cinecolombia). "Troubled Water" went to Taiwan (Khan).Bleiberg licensed "Adam Resurrected" to Image for U.S. "Gene 2.0" went to Splendid for German speaking territories.
Celluloid Dreams licensed "Un Prophete" to Sony Pictures Classics for North America and Alta for Spain. Its other distributors include Cinemien for Netherlands, Bim for Italy, UGC for France.
Cinemavault has licensed “Trucker” to High Fliers for U.K., Falcon for Middle East, Village Roadshow for Greece, Lap TV for Latin America, HBO for Eastern Europe, DBS for Israel and ATP Insaat for Turkey. "Newsmakers" has gone to Showbox for the U.K., New Select for Japan, Beijing United for China, ECS for the Middle East, Horizon for Turkey, Cinema Without Frontiers and Kino Bez Granits for CIS.
CJ licensed "Thirst," to Lola Film for Spain, Paris Filmes for Brazil, Edko for Hong Kong, Avsar Film for Turkey and Discovery for the ex-Yugoslavia territories, MFA+ for Germany, Madman for Australia and New Zealand, Ecofilmes for Portugal. "Mother" went to Madman for Australia and New Zealand, Paris Films for Brazil. "Sophie’s Revenge" went to Nettai for Japan, Huayi Brothers for China. "Haeundai" went to VSG for Singapore and Malyasia, Optimum for U.K., Splendid for German speaking territories, Edko for Hong Kong. "Castaway on the Moon" went to Horizon for Turkey and Flash Forward for Taiwan. "Private Eye" went to Horizon for Turkey.
CMG licensed "Blood and Bone" to G2 for U.K. after fielding at least four other offers from UK buyers. It also went to Australia (Eagle Pictures), South Africa (Nu Metro), Eastern Europe (SPI), Brazil (California), Turkey (Horizon), India (PVR), and the Middle East (Front Row). "Khumba" went to Russia (Luxor), Portugal (VC Multimedia), the Middle East (Front Row), Turkey (Film Pop), Czech/Slovak Republics (Hollywood), and Poland (Vision). "American Violet" went to Australia (Eagle Pictures), Scandinavia (CCV), the Middle East (Front Row), Turkey (Horizon), and Poland (Vision). "Zambezia" went to Nu Metro in South Africa and Hollywood for the Czech/Slovak Republics. U.S. is with Samuel Goldwyn Films.
Contentfilm licensed "Fish Tank" to Cineart for Benelux, IFC for North America, Artificial Eye for U.K. and Alta for Spain, . MK2 has French rights.
Coproduction Office licensed "A Town Called Panic" to Cineart for Benelux, and to UK (Optimum), Australia (Madman), Korea (Jin Jin), Greece (La Strada), Malaysia, Singapore, Vietnam (Suraya), Middle East (Media International),Switzerland (Frenetic)
E1 Entertainment licensed "Amreeka" to Cineart for Benelux.
Elle Driver licensed "Dead Snow" to Splendid for German speaking territories. IFC has No. America. Midget has Denmark and Euforia has Norway. "De l'autre cote du lit" went to Atlas for German speaking territories. "Hysteria" went to Bim for Italy.
Endeavor licensed "Picasso and Braque Go To The Movies" to Arthouse for U.S. who will also also distribute abroad through its output deals with Revolver Entertainment in the UK and Ireland, Mongrel Media in Canada, Madman Entertainment in Australia, New Zealand and South Africa, and digitally via Apple iTunes.
Europacorp licensed "D13 - Ultimatum" to Magnolia Pictures genre arm Magnet Releasing for U.S. "The Extraordinary Adventures of Adele Blanc-Sec" sold every territory except U.K. and U.S. "I Love You Phillip Morris" went to Consolidated Pictures Group for North America.
Films Distribution licensed “Happy Ever After” to Hopscotch for Australia and New Zealand, Telepool for Germany. Negotiations are underway for U.S."Eyes Wide Open” went to Haut et Court for France. “Yuki & Nina” and "It’s Not Me, I Swear!” went to JinJin for South Korea. “Tomorrow at Dawn” and "Private Lessons” went to Word of Mouth for Greece. "Cell 211” went to Senator for Germany, “L’Amour Fou” went to Frenetic for Switzerland. "Tomorrow At Dawn" went to Metropole for Canada, Russian Report for Central Europe. "YSL" went to ABC for Benelux, Hopscotch for Australia and New Zealand, Midas for Portugal. "Stella" went to Primer Plano for Argentina. "The Horde" went to California Filmes for Brazil, Hopscotch for Australia and New Zealand. "Salamandra' went to Jaguar for the Middle East. "Karl Lagerfeld" went to ABC for Benelux.
Finecut licensed "Like You Know It All" to CTV for French speaking territories. "Chaw" went to Ascot Elite for Switzerland and Germany, to Visicom Suraya for Malaysia, Indonesia, Brunei and Vietnam. "Go Go 70s" went to Fine Films for Japan and to Thailand’s KR Contents Group.
Focus Features licensed "Sin Nombre" to Metrodome for U.K. "The Eagle Of The Ninth" sold out in all territories including BIM Distribuzione for Italy, Metropolitan Filmexport for France, Entertainment/ Universal and UPI for U.K., Nordisk for Scandinavia, RCV for Benelux, Ssamzie for So. Korea, Odeon for Greece, Shani for Israel, Castello Lopes for Portugal, Italia for the Middle East, PVR for India, Queen for Indonesia, Shaw for Singapore, Prorom for Bulgaria, Hungry and Romania, Hollywood Classics for Czech Republic and Slovaiak, Monlith for Poland, Concorde Telemuenchen for German speaking territories. Deal are about to close for South Afreica, Thailand, Taiwan, Philippines, Malaysia, Hong Kong and Turkey. Focus itself has North America and Universal Pictures has rights for Australia, Bolivia, Chile, Ecuador, Mexico, Spain, "Greenberg" went to Bim for Italy.
Fortissimo has licensed "Prince of Tears" by Yonfan to Ocean Films for France and Intercontinental Film Distribution for Hong Kong. "Basquiat", "Magic Bus", and "Louise Bourgeois: The Spider, The Mistress And The Tangerine" to Pretty Pictures for France and Benelux and to Zeitgeist for U.S. "Air Doll" went to Golem for Spain, Ocean for France. Asmik Ace has Japanese rights.
HanWay Films has presold "Black Death" to 12 distributors including Revolver/ Sony for U.K., Odeon for Romania and Greece, Lusomundo for Portugal, Soyuz for CIS and the Baltics, Hollywood Classics for Czech Repulic and Slovakia, Polsat for Poland, First Productions for Ex-Yugoslavia, Front Row for Middle East, Queen Imperial Films for Indonesia, Avsar for Turkey, PA Pictures for Brazil and En Pantalla for Mexico. "Sunshine Cleaning" went to Anchor Bay for U.K.
High Point licensed "Winter in Wartime" to Kaleidoscope for U.K. and Ireland.
Independent sold out on "Moon" Sony Pictures Worldwide Acquisitions Group, which had already taken the rights to all English speaking territories, took all Asian territories excluding South Korea as well as Italy, Spain, Latin America. Sony Pictures Classics has U.S. and further deals were for France (Swift Distribution), Scandinavia (Nonstop Entertainment), Benelux (A – Film Distribution), Middle East (Shooting Stars), CIS (CP Digital), Poland (Monolith Films), Greece (Seven Films), Turkey (Mars Production), South Korea (Daisy Entertainment) and German speaking Europe (Telepool).InTandem licensed "Your Perfect Angel" to Splendid for German speaking territories, Lusomundo for Portugal and Falcon for the Middle East.
ITV Global Entertainment licensed "The Red Shoes" in its newly restored digital format to more than 20 international territories.
Jinga Films licensed "Salvage" to MIG for Germany, Italia for the Middle East and has also sold Japan. "The Disappeared" went to Moonlight for Benelux, Savoy for Germany. "Summer Scars" went to Wise for Spain, Sahamongkol for Thailand. "Love me Still" went to Italia for the Middle East. "Gnaw" sold to Japan. "The Disappeared" and "Summer Scars" U.K. distributor is ICA's New British Cinema.
Kimmel’s "Trust" went to Mexico (Gussi), Benelux (A Film), Greece (Village Roadshow), Portugal (Lusomundo), Turkey (Aqua Pimena), IPA Asia Pacific for Thailand. "Sympathy For Delicious" went to Italy (CDI), Thailand (IPA), Indonesia (PT Amero). "The Greatest" went to U.K. (High Fliers), Italy (Mediaset), Russia (Soyuz) and previously (Berlin) to Senator Distribution for U.S., E1 Entertainment for Canada, Pinema for Turkey. "An Invisible Sign Of My Own" went to Italy (Mediafilm),Hong Kong (Edko).
Latido licensed "Bejart: The Show Must Go On" to Cetera for Japan. "Paper Castles" has gone to Only Hearts for Japan who has also acquired "The One I Love". "Ander" went to Look Now for Switzerland. "The Chicken, The Fish and The King Crab" went to Media Factory for Japan. An eleven title package deal closed with TVR in Romania which includes "Seven Minutes" and "La Buena Vida". "Sex, Party & Lies" has sold to 20 territories inlcuding G2 for U.K. and Picture This for U.S. A four picture deal with Suraya for Malaysia includes "Seven Minutes", "Paper Castles", "Animal Crisis" and "Sex Party and Lies".
Le Pacte licensed "Ricky" to IFC for North America. Other rights holders are California Filmes for Brazil, Central Partnership for Russia, Cinéart for Benelux, Concorde Filmverleih for German speaking territories, Hollywood Classic Entertainment for the Czech Republic and Slovakia. Le Pacte has France.
Les Films Du Losange licensed "The White Ribbon" to Sony Pictures Classics for North America, Golem for Spain and to Cineart for Benelux. XFilme has Germany, Filmladen has Austria, Lucky Red has Italy. "The Father of My Children" went to Teodora for Italy
Mandate licensed "Saw 6" and "Five Killers" to Kinowelt for German speaking territories for which Lions Gate has U.S. and A-Film has Benelux. "Men Who Stare At Goats" went to Kinowelt for German speaking territories, Overture for U.S. and was produced by BBC in U.K.
Media 8 licensed "The Horseman" to U.K.’s Kaleidoscope Entertainment.
Media Asia licensed "Warlords" to Magnolia's genre arm Magnet Releasing for North America, Minerva for Italy, Mario Pimentel for Spain. "City of Life and Death" aka "Nanking Nanking" went to Lark for Hong Kong, Applause for Taiwan, Golden Screen for Malaysia, Rose Media for Thailand, and High Fliers for U.K.
MPower licensed "Snowmen" to Italia for the Middle East and NuMetro for South Africa. "The Stoning of Soraya" went to Scanbox for Scandinavia, Nu Metro for South Africa and Independent Distributors for Israel. Front Row has it for the Middle East.
Myriad licensed "Serious Moonlight" to Bim for Italy, Swen for Latin America, Les Films De L'Elysee for Benelux, SPI for Eastern Europe, Eagle for the Middle East, Spentzos for Greece, ECM for Portugal and D Productions for Turkey.
New Films has licensed a seven title packed to Falcon for the Middle East including "Witch Hunt", "P.V.C.-1", "Mysterious Hearts", "Peter and Vandy", "Camp Hope", "Circle" and "Keepsake". A 10 title deal was set with BBI for Benelux which includes "Americano", "Broken" "Undermind", "El Rey", "Don't Fade Away" and "Dark Moon Rising". Strand also licensed "Peter and Vandy" for U.S.
Nu Image licensed "Solitary Man" and "Ninja" to Splendid for German speaking territories. Thai rights to "Ninja are with IPA Asia Pacific. "The Expendables" went to California Filmes for Brazil, CatchPlay for Taiwan, Dutch FilmWorks (DFW) for Benelux, Eagle Film for the Middle East, Lionsgate for U.K. and U.S., Metropolitan Filmexport for France, Midget Entertainment for Denmark, Noble Entertainment for Sweden, Odeon for Greece and Pony Canyon for Japan and Blu Cinematografica for Italy. "The Mechanic" went to Blu Cinematografica for Italy.
Pathe International licensed "Bright Star" to Bob Berney's unnamed company for U.S. and Canada, Vertigo for Spain, Atlantic Film for Scandinavia, SSG for Taiwan, Babilla for Colombia, Phars for the Middle East, PT Camila for Indonesia, Golden Village for Singapore and Myndform for Iceland. The film is now virtually sold out. Presales for"Centurion" closed with MediaFilm (Italian), Cinemax (the CIS), Showbox (South Korea), Monolith (Polan), SSG (Taiwan), Hollywood Classics (the Czech Republic), Mediapro (Romania), Ster-Kinekor (South Africa), Babilla (Colombia), Cathy (Singapore), Tiglon (Turkey), PT Camila (Indonesia) and IPA (Thailand and Vietnam). Deals concluded before Cannes including Constantin for Germany, Aurum for Spain, Hopscotch for Australia/New Zealand and Scanbox for Scandinavia make the film virtually sold out. "Le Herisson" (The Hedgehog)went to Madman for Australia/New Zealand, Europa for Brazil, Cathay for Singapore and Tiglon for Turkey. "Loup" (Wolf) was picked up for Germany and Austria by Square One, IPA for Thailand and Vietnam, Mediavizyon for Turkey and Babilla for Colombia. "Miral" was sold to Europa for Brazil and WEG for India. "Oceans" sold to Atlantic Film for Scandinavia and PT Camila for Indonesia. "Cheri" went to WEG for India, Golden Village for Singapore, IPA for Thailand and Vietnam and Bir Film for Turkey. "Five Minutes Of Heaven" went to Savor for Spain and Bir Film for Turkey and a German deal is imminent. "Lol", currently the biggest film at the French box-office with over 3.5 million admissions, was sold to Madman for Australia/New Zealand, Cinema Nueva for Mexico, Golden Village for Singapore and Mediavizyon for Turkey.
PorchLight’s "Passchendaele" went to U.K. (High Fliers), Japan (AMG), Australia (21st Century), Holland (DFW), Scandinavia (Atlantic).
Prime Entertainment licensed "The Elephant on the Bike" to Kmy Films for Cambodia.
Protagonist Pictures licensed U.K. and Irish rights to "Nativity" to E1 Entertainment. "Unmade Beds" went to Kool for Germany.
Roissy licensed "Io, Don Giovanni" to Korea (Line Tree), Taiwan (Zeus International/Khan Entertainment), Hong Kong (Edko Films) and Lucky Red who coproduced with Istituto Luce for Italy. "Sister Smile" went to Korea (Mars Entertainment), Taiwan (Joint), Hong Kong (Edko), Canada (Seville), Switzerland (Xenix), KFD for Belgium, Océan Films for France, RCV Film Distribution for the Netherlands. "The Beaches of Agnes" went to Korea (JinJin). "Seraphine" went to Hong Kong (Edko).
Sahamongkolfilm International licensed "Chocolate" to Magnolia Pictures genre arm Magnet Releasing for U.S. North American rights to the film had been with The Weinstein Company (TWC), but Sahamongkolfilm took the rights back whenTWC returned "Ong Bak 2".
Showbox licensed "The Murderer" to Wild Side for France. "Breathless" has been sold to Tadrart Film for France.
SPI International licensed "Broken Promises" to Picture This! for North America.
StudioCanal licensed "L'Armee du crime" to Cineart for Benelux. “The Red Riding Trilogy" went to IFC for U.S., Alliance for Canada. "Cotton" will be sold soon to Spain. "Change Of Plans " went to IFC for U.S. "Around the World in 50 Years 3D" and "Chloe" went to StudioCanal owned Kinowelt for German speaking territories and both virtually sold out including to Svensk for Scandinavia, TMC for Turkey. Universal Music Group acquired North American rights to "Around the World". "Baby(ies)" went to Focus for U.S. and some other international territories. "Quelque Choise A Te Dire" went to Golem for Spain. "A Thorn in the Heart" went to Oscilloscope for U.S.
Summit licensed "Red Cliff" to Magnolia Pictures genre arm Magnet Releasing for U.S. "Astro Boy" has gone to E1 for U.K. and DeaPlaneta for Spain. "Tree Of Life" and "Letters To Juliet" went to TriPictures for Spain. "Tree of Life" also went to EuropaCorp in France, Icon (UK and Australia), Concorde TeleMuenchen Group (Germany), Svensk (Scandinavia), O1 (Italy) and Belga (Benelux). "New Moon", the "Twilight Sequel" sold to Concorde Filmverleih for German speaking territories Austria, Germany and German speaking Switzerland, Eagle Pictures for Italy, Kadokawa Pictures for Japan, Nordisk Film Theatrical Distribution for Scandinavia, Odeon for Greece and Cyprus, Of course Summit Entertainment has U.S. and Seville has Canada. "Remember Me" also sold exceedingly well.
Toie licensed "A Good Husband" to K&Entertainment for So. Korea.
Trust Nordisk has licensed "Antichrist" to IFC Films for U.S., Artificial Eye for U.K. and Golem Distribución for Spain. Other distributors include ACME for Lithuania, Budapest Film for Hungary, California Filmes for Brazil, Central Partnership for Russia, Discovery Film & Video Distribution for Bosnia and Herzegovina, Estinfilm for Estonia, Gutek Film for Poland, Lucky Red for Italy , MFA Filmdistribution for Germany, Palador Pictures for India,Pars Film for Iran, Pro Film for Bulgaria, Prorom Media-Trade for Romania, Seven Films for Greece, Wild Bunch Benelux for Benelux and of course Nordisk Film Distribution for Scandinavia. "Mammoth" went to IFC for U.S., A-Film Distribution for Benelux, Budapest Film for Hungary, Filmcoopi Zürich for Switzerland, Filmladen for Austria, KinoVista for France, Seven Films for Greece, Svensk Filmindustri (SF) for Sweden. "Storm" went to Serendip for Brazil and Film Movement for U.S. "Love at First Hiccup" went to Kinomate for So. Korea and Suraya Film for Singapore and Indonesia. "Terribly Happy" went to Oscilioscope for the U.S, Syrena Films for Poland, European Film Partners (EFP) for Benelux, Cinema Art for Czech Republic and Slovakia."Quest for a Heart" went to Empire Film in Romania, "Cold Prey 2" to IPA for Japan and G2 for U.K. "The Green Butchers"Cirko Film for Hungary. was picked up by
We Distribution/ Cinema Popular of Hong Kong has licensed "Bodyguards and Assassins" to Mediacorp Raintree Pictures and Festive Films for Singapore, RAM Entertainment for Malaysia, PT for Brunei, Teguh Bakti Mandiri for Indonesia, Parkit Films for Vietnam and Applause Entertainment for Taiwan.
Westend, the new international sales agency of Sharon Harel (founder of Capitol), licensed "Chatroom" to BIM Distribuzione for Italy, CMC Entertainment for Taiwan, Diaphana Films for France, ECS Film Distribution for Lebanon, Pathé for U.K., Seven Films for Greece, Universum Film (UFA), who also exec produced the film for Germany, Vision for Poland and other Eastern European countries, ECS for the Middle East, VTI for Ex-Yugoslavia. "Mother and Child" went to Haut & Court (France), Cineart (Benelux), Smile (Scandinavia) and Hopscotch (Australia), Vision (Pan-Eastern Europe), Seven Group (Greece), Front Row (Middle East), Bir Film (Turkey) and VTI (Ex-Yugoslavia).
Wide licensed "Tears of April" to Alcine Terran for Japan, FS Film Oy for Finland. "Fissure," went to Japan's 9 Miles Inc. It is also with FilmFrog Productions for USA, Los Banditos Films for Germany. "Louise Michel, the Rebel" went to France's Hevadis Films. "Unfailing" went to Germany's MIG Film for Austria, Germany and German-speaking Switzerland. "I Dreamt Under the Water" went to Taiwan's AV Jet Intl as well as to Optimale for France, PRO-FUN media Filmverleih for Germany, TLA Releasing for the U.K. and U.S. "South Coast" went to Daxar Multimedia Limited for the Middle East. "La Vida Loca" went to Ascot Elite in Germany for German-speaking territories. "Lola Montes" went to Immovision for Brazil.
Wild Bunch licensed "Spring Fever", "The Time That Remain", "Don't Look Back" and "Enter The Void" to Cineart for Benelux. “Don’t Look Back” and Park Benches went to IFC for U.S. They are also sold for Canada: Don’t Look Back to E1 Entertainment and Benches to Metropole. "Coco Chanel and Igor Stravinsky" went to Sony Pictures Classics for North America and to Cineart for Benelux, Canada (E1), China (Metro China), Mexico (Cinemas Nueva), Australia (Madman). "Looking for Eric" went to Alta for Spain, Cinéart for The Netherlands, BIM Distribuzione for Italy, Diaphana Films for France, IFC Films for U.S., Icon Film Distribution for U.K. "Who Knows about Persian Cats" went to Mexico (Quality), Argentina (Pacha Mama), Canada (E1), Israel (Shani), Italy (Bim), Spain (Alta), Romania (Independenta), Greece (Videorama), Portugal (Lusomundo), Columbia (Babilla), Benelux (Cineart) and the Middle East (Front Row Entertainment). A deal with Mars Films for France was concluded just prior to the market. The only major territories remaining are Japan and the US, and both have offering pending "Goeman" went to Splendid for German speaking territories. "The Extra Man" went to Bim for Italy. "Tales From The Golden Age" went to IFC for U.S. Imovision has Brazil. It also went to UK (Trinity), Spain (Alta), Canada (Metropole), Italy (Archibaldo), France (Le Pacte), Scandinavia (Cinema Mondo), Benelux (Imagine). “Spring Fever” went to Strand for U.S., NCF for ex-Yugoslavai and Leopard for Russia. “Polytechnique” sold to Argentina’s Pacha Mama, Brazil’s Immovision, Teleview in the Middle East, Babilla in Columbia and Norway’s Arthouse. “Irish Route” presold to Ex-Yugoslavia (MCF), Romania (Independenta), Greece (Spentzos), Israel (Shani), Middle East (Teleview), Portugal (Lusomundo), Columbia (Babilla), South Africa (Video Vision), Indonesia, Singapore, Malaysia and the Philippines (Sound Space) and Bulgaria (Radio Vision). Discussions are ongoing for France, Italy and the UK.
“Socialism” went to Germany (Delphi), Brazil (Immovision), Romania (Independenta), Czech Republic (Artcam), Greece (Videorama), Portugal (Midas), Japan (Open Sesame/Kadokawa), Bulgaria (Radio Vision) and Korea (Sorcerer’s Apprentice). “The Exodus – The Fortress” (“Burnt By The Sun 2”), was licensed to France (TFM), China (New Vision), Ex-Yugoslavia (Discovery), Romania (Independenta), Czech Republic (Hollywood Classics), Greece (Videorama), the Middle East (Teleview), Portugal (Lusomundo), Taiwan (CMC), Columbia (Babilla), Turkey (Umut Sanat), Bulgaria (Radiovision), Poland (Kino Swiat) and Benelux (Paradiso).
“The Extra Man” sold to Ex-Yugoslavia (Discovery), Romania (Independenta), Czech Republic (Hollywood Classics), Greece (Videorama), Israel (Orlando), the Middle East (Teleview), Portugal (Lusomundo), Singapore (Festive), Taiwan (Group Power), Turkey (D Productions), South Africa (Video Vision), Italy (Bim) and Poland (Kino Swiat).
“Full Treatment” sealed deals in Australia (Transmission), Romania (Independenta), Czech Republic (Hollywood Classics), Greece (Videorama), Hong Kong (Panorama), the Middle East (Teleview), Taiwan (CMC), Bulgaria (Radio Vision), Russia (Leopolis), Scandinavia (Cinema Mondo) and Benelux (Paradiso).
“Bunny & The Bull” went to Australia’s Madman, Israel’s Orlando and Germany’s Delphi. “Room in Rome” went to the UK’s Optimum, Hong Kong’s First Distributor, Japan’s Comstock and Australia’s Transmission. “Whatever Works” sealed deals in Israel (Nachson), Iceland (Greenlight), Australia (Hopscotch), Korea (Line Tree), Benelux (Paradiso) and the Czech Republic (Artcam). Deals are pending in Germany and Japan. “The Killer Inside Me” went to Hollywood Classics for Slovakia and the Czech Republic, Umut Sanat in Turkey, Radio Vision in Bulgaria, Top Films of Russia and Paradiso in Benelux. “Petit Nicolas” went to Spain (Vertigo), Italy (Bim), Israel (Nachson) and Korea (Sorcerer’s Apprentice). “Dog Pound” went to Benelux (Paradiso) and Mexico (Quality). Quality also picked up “Yona Yona Penguin” for Mexico.“Rabia” sold to Romania (Independenta), Greece (Spentzos), the Middle East (Front Row) and Paradiso in Benelux. “A Distant Neighborhood went to Teleview for the Middle East, Babilla in Columbia and Bim in Italy.