This goes against the grain of the population's reduced attention spans, but adds something new in the festival world. The 67th Venice Film Festival's (September 1-11, 2010) Horizontal Section, the "Orizzonti", is creating four new awards to "extra-format" works which means Very Long Feature Films will receive a special award for its category, as well as three other new awards for long feature, short feature and medium feature formats.
They will also award John Woo with the Golden Lion for Lifetime Achievement.
The 67th Festival’s advisors for the various regions of the world are: Paolo Bertolin (South Korea/South-east Asia); Dora Bouchoucha (Africa and Arab world); Chen Zhiheng (China); Cecilia Cossio (India); Giulia D’Agnolo Vallan (USA); Fabio Fumagalli (Benelux, Portugal, Switzerland); Babak Karimi (Iran); Donald Ranvaud, Luciano Barisone (Central and South America); Alëna Shumakova (Russia and former USSR countries); and Tomita Mikiko (Japan).And the Venice Film Festival’s Selection Committee has continue to operate in 2010 which will include: Giulia D’Agnolo Vallan, Giorgio De Vincenti, Marie-Pierre Duhamel, Antonella Gaeta and Alberto Pezzotta. Alongside them will be Enrico Magrelli as the Director’s advisor.
With them will be the two researchers for the Orizzonti section: Cecilia Alemani and Sergio Fant.
Showing posts with label Arab. Show all posts
Showing posts with label Arab. Show all posts
Friday, March 26, 2010
Monday, June 1, 2009
Tracking Arab Industry Developments
To continue the tracking of developments in the Middle East's predominately Arab countries which I began in Cannes, once again, Dubai International Film Festival's Market is taking a lead position, now by posting sales made during its December event. Screen International's article says it all.
It is notable that in posting rights, Dubai takes a place among the markets such as Cannes, EFM and AFM. Posting rights creates a flurry of further deals by savvy buyers who are taking note of developments around them.
Making note of market developments the raison d'etre of Sydney's Buzz. By posting the deals which, in cooperation with IMDbPro.com and Cinando.com, are linked for access to future productions by producers or international sales agents, both distributors and ISAs can track competitors' sales and acquisitions. ISAs can track distributors' interests and everyone can track upcoming projects by favored producers, directors, writers and talent.
Development of market savvy is the creative part of buying and selling. And Dubai, once again, stands out among the Arab entities entering the festival world in taking the lead.
It is notable that in posting rights, Dubai takes a place among the markets such as Cannes, EFM and AFM. Posting rights creates a flurry of further deals by savvy buyers who are taking note of developments around them.
Making note of market developments the raison d'etre of Sydney's Buzz. By posting the deals which, in cooperation with IMDbPro.com and Cinando.com, are linked for access to future productions by producers or international sales agents, both distributors and ISAs can track competitors' sales and acquisitions. ISAs can track distributors' interests and everyone can track upcoming projects by favored producers, directors, writers and talent.
Development of market savvy is the creative part of buying and selling. And Dubai, once again, stands out among the Arab entities entering the festival world in taking the lead.
Labels:
acquisitions,
Arab,
distributors,
international sales agents,
markets,
Middle East,
rights
Saturday, May 16, 2009
News from a Quiet Cannes
Cannes is quiet. Today was the peak day and you could travel from one end to the other without bumping into people constantly. The Indians and Arabs are making the most news as the money for film financing seems to be flowing from those entities. Looking at the actual sales side, there is a steady flow of announcements coming out which can be tracked through the trades on a daily basis.
Sunday, May 3, 2009
German Coproductions Heavily Represented in Cannes This Year
Direct from German Film
Germany seems to already be the winner for having the most coproductions represented in the Cannes Film Festival and its sidebars.
Cannes Film Festival director Thierry Frémaux has announced this year's selection for the Official Program. The Berlin production company X-Filme Creative Pool is pleased about the invitation to the Competition for The White Ribbon (Das Weisse Band) by the Munich-born director Michael Haneke (a German-Austrian-French-Italian coproduction). The film tells the story of a school and church choir led by the local teacher in a village in Germany's Protestant North on the eve of the First World War. Strange accidents occur and increasingly assume the character of ritual punishments.
Zehnte Babelsberg Film, a division of Studio Babelsberg AG, is the German producer of the competition entry from Quentin Tarantino Inglourious Basterds (a US-German coproduction). The film combines the story of the young Shosanna, whose family are killed by the Nazis in occupied France, with that of a group of Jewish-American soldiers who are on a joint mission to eliminate the leaders of the Third Reich.
Also screening in this year's Competition is Lars von Trier's Antichrist (a Danish-German-French-Swedish-Italian coproduction). It is the story of a couple in mourning who retreat to an isolated forest cabin after the death of their son. They hope to use this time there to overcome their grief and be able to save their rocky marriage. The film's German co-producer is Zentropa International/ Cologne, with Heimatfilm/ Cologne as service producer.
The Israeli-French-German coproduction Jaffa by Keren Yedaya will be shown in the Official Program's Special Screenings . The German producer is Rohfilm/ Berlin&Leipzig. The film tells the story of Jewish Mali and the Arab worker Taufik, whose secret love affair is met by great difficulties when Mali accidentally gets pregnant.
The co-production Eyes Wide Open by Haim Tabakman (Israeli-German-French) will be presented in the Official Program's Un Certain Regard . Riva Film/ Hamburg is the German co-producer of the film which recounts a gay love story in Jerusalem doomed because of social and religious barriers
Independencia by Raya Martin (a French-German-Philippine coproduction) and The Wind Journeys (Los Viajes del Viento) by Ciro Guerra (a Colombia-German-Dutch coproduction) can also be seen in this section, both co-produced by Germany's Razor Film Produktion/ Berlin. In his film, Raya Martin tells the story of a family in the Philippines during the American occupation at the beginning of the 20th century, who retreat into the jungle to escape the fighting. The mountains offer them protection from the threatening human powers, and they once more follow the practices of their ancestors. However, the war approaches ever relentlessly and a decision has to be made..
The Wind Journeys is the story of the old musician Ignacio, who swears after his wife's death to never touch his beloved accordion ever again. Together with the young Fermin and a donkey, he sets off on a journey to the north of Colombia to return his legendary, but also cursed accordion to his teacher. Their arduous journey leads Ignacio and Fermin through the various (musical) landscapes of Colombia, and Ignacio is regularly forced to play his accordion “just one last time” ...
27 Films Production/ Berlin, is the German producer of Le pere de mes enfants by Mia Hansen-Løve (a French-German coproduction), which is also invited to Un Certain Regard. The film relates the last weeks in the life of film producer Grégoire Canvel before his suicide and the first weeks of mourning experienced by his wife and their three daughters. It is a film about commitment, loneliness, love and stoicism.
The Critics’ Week will be presenting Cologne-based Pandora Film's co-production Huacho by Alejandro Fernández Almendras (a French-Chilean-German coproduction). With a winning mixture of candour and simplicity, Huacho describes a day in the life of four members of a peasant family who live on the outskirts of Chillán (in the South of Chile).
Altiplano, the first breakout film of Helen Loveridge's new international sales agency Meridiana by Peter Brosens and Jessica Woodworth (a Belgian-German-Dutch coproduction), co-produced by ma.ja.de fiction/ Leipzig&Berlin, will also be screened in this section. A war photographer loses her soul in Iraq. An Andean bride sacrifices herself in a protest against the mining industry. Their fates come together on the Altiplano... Altiplano is a lyrical and probing film about our divided but inextricably linked world.
Another co-production in the Critics’ Week is Lost Persons Area by Caroline Strubbe (a Belgian-Dutch-Hungarian-German coproduction), ZDF/Arte and Network Movie/ Cologne are the German partners. Lost Persons Area tells a sensitive story about people – lost in their fear of rejection. Two men work together on the maintenance of power lines. They are best friends, with one secretly in love with the other’s wife. They live a dull but happy life until an accident changes everything…
Also screening in this section is the short Together by Eicke Bettinga (a German-UK coproduction), Piggott-Bettinga Filmproduktion. It is the story of a young man having to deal with his brother's early death and its repercussions on his family.
This year will also see the Critics’ Week presenting the results of the workshop for European filmmakers CINETRAIN. Filmmakers from different countries worked together on six shorts on a specific subject. Florian Krebs from Germany is one of the three directors of the short McRussia.
The Directors’ Fortnight also announced its program. The Israeli-German coproduction Ajami by Scandar Copti and Yaron Shani will be shown here. German coproducer is Berlin based Twenty Twenty Vision Filmproduktion. Ajami is the untold story of the walled-in city of Jaffa, on the outskirts of the Palestenian-Israeli conflict, where violence and hatred are daily reality.
For further information, please contact Mariette Rissenbeek, rissenbeek@german-films.de.
Germany seems to already be the winner for having the most coproductions represented in the Cannes Film Festival and its sidebars.
Cannes Film Festival director Thierry Frémaux has announced this year's selection for the Official Program. The Berlin production company X-Filme Creative Pool is pleased about the invitation to the Competition for The White Ribbon (Das Weisse Band) by the Munich-born director Michael Haneke (a German-Austrian-French-Italian coproduction). The film tells the story of a school and church choir led by the local teacher in a village in Germany's Protestant North on the eve of the First World War. Strange accidents occur and increasingly assume the character of ritual punishments.
Zehnte Babelsberg Film, a division of Studio Babelsberg AG, is the German producer of the competition entry from Quentin Tarantino Inglourious Basterds (a US-German coproduction). The film combines the story of the young Shosanna, whose family are killed by the Nazis in occupied France, with that of a group of Jewish-American soldiers who are on a joint mission to eliminate the leaders of the Third Reich.
Also screening in this year's Competition is Lars von Trier's Antichrist (a Danish-German-French-Swedish-Italian coproduction). It is the story of a couple in mourning who retreat to an isolated forest cabin after the death of their son. They hope to use this time there to overcome their grief and be able to save their rocky marriage. The film's German co-producer is Zentropa International/ Cologne, with Heimatfilm/ Cologne as service producer.
The Israeli-French-German coproduction Jaffa by Keren Yedaya will be shown in the Official Program's Special Screenings . The German producer is Rohfilm/ Berlin&Leipzig. The film tells the story of Jewish Mali and the Arab worker Taufik, whose secret love affair is met by great difficulties when Mali accidentally gets pregnant.
The co-production Eyes Wide Open by Haim Tabakman (Israeli-German-French) will be presented in the Official Program's Un Certain Regard . Riva Film/ Hamburg is the German co-producer of the film which recounts a gay love story in Jerusalem doomed because of social and religious barriers
Independencia by Raya Martin (a French-German-Philippine coproduction) and The Wind Journeys (Los Viajes del Viento) by Ciro Guerra (a Colombia-German-Dutch coproduction) can also be seen in this section, both co-produced by Germany's Razor Film Produktion/ Berlin. In his film, Raya Martin tells the story of a family in the Philippines during the American occupation at the beginning of the 20th century, who retreat into the jungle to escape the fighting. The mountains offer them protection from the threatening human powers, and they once more follow the practices of their ancestors. However, the war approaches ever relentlessly and a decision has to be made..
The Wind Journeys is the story of the old musician Ignacio, who swears after his wife's death to never touch his beloved accordion ever again. Together with the young Fermin and a donkey, he sets off on a journey to the north of Colombia to return his legendary, but also cursed accordion to his teacher. Their arduous journey leads Ignacio and Fermin through the various (musical) landscapes of Colombia, and Ignacio is regularly forced to play his accordion “just one last time” ...
27 Films Production/ Berlin, is the German producer of Le pere de mes enfants by Mia Hansen-Løve (a French-German coproduction), which is also invited to Un Certain Regard. The film relates the last weeks in the life of film producer Grégoire Canvel before his suicide and the first weeks of mourning experienced by his wife and their three daughters. It is a film about commitment, loneliness, love and stoicism.
The Critics’ Week will be presenting Cologne-based Pandora Film's co-production Huacho by Alejandro Fernández Almendras (a French-Chilean-German coproduction). With a winning mixture of candour and simplicity, Huacho describes a day in the life of four members of a peasant family who live on the outskirts of Chillán (in the South of Chile).
Altiplano, the first breakout film of Helen Loveridge's new international sales agency Meridiana by Peter Brosens and Jessica Woodworth (a Belgian-German-Dutch coproduction), co-produced by ma.ja.de fiction/ Leipzig&Berlin, will also be screened in this section. A war photographer loses her soul in Iraq. An Andean bride sacrifices herself in a protest against the mining industry. Their fates come together on the Altiplano... Altiplano is a lyrical and probing film about our divided but inextricably linked world.
Another co-production in the Critics’ Week is Lost Persons Area by Caroline Strubbe (a Belgian-Dutch-Hungarian-German coproduction), ZDF/Arte and Network Movie/ Cologne are the German partners. Lost Persons Area tells a sensitive story about people – lost in their fear of rejection. Two men work together on the maintenance of power lines. They are best friends, with one secretly in love with the other’s wife. They live a dull but happy life until an accident changes everything…
Also screening in this section is the short Together by Eicke Bettinga (a German-UK coproduction), Piggott-Bettinga Filmproduktion. It is the story of a young man having to deal with his brother's early death and its repercussions on his family.
This year will also see the Critics’ Week presenting the results of the workshop for European filmmakers CINETRAIN. Filmmakers from different countries worked together on six shorts on a specific subject. Florian Krebs from Germany is one of the three directors of the short McRussia.
The Directors’ Fortnight also announced its program. The Israeli-German coproduction Ajami by Scandar Copti and Yaron Shani will be shown here. German coproducer is Berlin based Twenty Twenty Vision Filmproduktion. Ajami is the untold story of the walled-in city of Jaffa, on the outskirts of the Palestenian-Israeli conflict, where violence and hatred are daily reality.
For further information, please contact Mariette Rissenbeek, rissenbeek@german-films.de.
Labels:
Arab,
Babelsberg,
France,
gay,
Germany,
isolated cabin,
Israel,
Jaffa,
Jerusalem,
Jewish,
Nazis,
Palestinian,
religion,
Third Reich,
World War I,
Zentropa
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