Sundance 2023: ‘Magazine Dreams’ Directed by Elijah Bynum

 

U.S. Dramatic Competition

This unexpected film, which if anything might be a contemporary version of ‘Pumping Iron’ in which bodybuilding and celebrity-to-be meets Travis Bickle of ‘Taxi Driver’, shows a restraint and rechanneling of psychopathological leanings which redeem the film and its hero, a sweet but uncontrollable and, in the end, an invincible dreamer. 

Director Elijah Bynum. Courtesy of Sundance Institute

Surely the producer Jennifer Fox felt an affinity to this project. Much of Fox’s work deals with understanding trauma. The emotional depth of the filmic concerns her in both her docs and fiction features. Jennifer Fox and In 2018, Jennifer Fox directed the film The Tale (2018), inspired by her own experience as a survivor of child sexual abuse. Unlike her previous works, the film is not a documentary but a narrative film. That film featured Academy Award-winning actress Laura Dern and premiered at the Sundance film Festival in 2018 and was picked up there by HBO. The plot of the film directly references Fox’s own experience of recognizing and grappling with her own abuse history. While writing the script, Fox developed the idea of “issue-based fiction,” in which she is able to use storytelling to “dive into issues that people could learn from and experience.” Borrowing from her documentary filmmaking, Fox collaborated extensively on the production of the film, outreaching to mental health advocates, lawyers, sexual abuse survivors, and women’s lived experiences to transform narrative into a tool for change. Along with HBO, Fox was able to develop a resource website and viewing guides to accompany the film to be used in educating and opening up the conversation about childhood sexual abuse, the effects of trauma, and memory.[*] In films like The Tale and Flying: Confessions of a Free Woman, trauma is examined in relation to memory and womanhood. In both films Fox is interested in how past trauma is able to shape one’s life and memory. In this film, this same element of a trauma-based life and memory is crucial to understandng the character of Killian Maddox, an obsessive bodybuilder who strives to win the Mr. Olympia contest and to be featured on the cover of body-building magazines.

Jonathan Majors in ‘Magazine Dreams’. Courtesy of Sundance Institute, photo by Glen Wilson

Jennifer Fox. Photo by George Pimentel — © 2019 George Pimentel — Image courtesy gettyimages.com

Surely the producer Jennifer Fox felt an affinity to this project. Much of Fox’s work deals with understanding trauma. The emotional depth of the filmic concerns her in both her docs and fiction features. Jennifer Fox and In 2018, Jennifer Fox directed the film The Tale (2018), inspired by her own experience as a survivor of child sexual abuse. Unlike her previous works, the film is not a documentary but a narrative film. That film featured Academy Award-winning actress Laura Dern and premiered at the Sundance film Festival in 2018 and was picked up there by HBO. The plot of the film directly references Fox’s own experience of recognizing and grappling with her own abuse history. While writing the script, Fox developed the idea of “issue-based fiction,” in which she is able to use storytelling to “dive into issues that people could learn from and experience.” Borrowing from her documentary filmmaking, Fox collaborated extensively on the production of the film, outreaching to mental health advocates, lawyers, sexual abuse survivors, and women’s lived experiences to transform narrative into a tool for change. Along with HBO, Fox was able to develop a resource website and viewing guides to accompany the film to be used in educating and opening up the conversation about childhood sexual abuse, the effects of trauma, and memory.[*] In films like The Tale and Flying: Confessions of a Free Woman, trauma is examined in relation to memory and womanhood. In both films Fox is interested in how past trauma is able to shape one’s life and memory. In this film, this same element of a trauma-based life and memory is crucial to understandng the character of Killian Maddox, an obsessive bodybuilder who strives to win the Mr. Olympia contest and to be featured on the cover of body-building magazines.

“On every street in every city in this country, there’s a nobody who dreams of being a somebody.” So says the tagline for Martin Scorsese’s Taxi Driver. Killian Maddox is such a nobody. Occupying a small space in the film, it is revealed that his uncontrollable temper stems from past abuse and trauma which includes the murder of his mother by his father and his father’s suicide in front of his own childish eyes. That shapes his chaotic and antisocial vision of the world and at the film’s climax is re-experienced.

Killian Maddox lives with his ailing veteran grandfather, obsessively working out between court-mandated therapy sessions and part-time shifts at a grocery store where he has developed a crush on a friendly cashier. Killian struggles to read social cues and to maintain control of his volatile temper. He senses his disconnection in a hostile world, but pours his passion into a dream of bodybuilding superstardom.

The film has you squirming in your seat as he veers toward destruction but, just as you wonder, what good can come out of his journey. As Killian’s behavior becomes more obsessive and erratic, he still looks after his unconditionally loving grandfather. And as his delusions of destruction escalate, he faces his own trauma and breaks down into tears as he embraces his grandfather. This is the turning point for him. Killian sees success in bodybuilding as the link to acceptance and emotional connection. As our pathetic though physically stunning hero googles answers to “How do you make people like you?” and “How do you make a mark upon the world?” (or something like that) he finds the answer he needs in order to keep living.

Jonathan Majors

Jonathan Majors’ has created an alarmingly single-minded body building character with a soft-spoken shyness alternating with indomitable fury, a multisided black man living in perpetual mental chaos. Majors’ eclectic collection of roles show his huge dramatic range. For his role as Montgomery Allen in The Last Black Man in San Francisco, Majors was nominated for a Gotham Award in the category of “Breakthrough Actor” and an Independent Spirit Award for “Best Supporting Male.” From The Last Black Man to a fighter pilot in the recent Devotion, to the western The Harder They Fall and soon a villain in the Marvel Cinematic Universe’s Ant-Man and the Wasp: Quantumania, his choices reveal a huge dramatic range which will reap fans for a long time to come. Born September 7, 1989 in Lompoc, California, Majors is a graduate from the Yale School of Drama and is a recipient of the National Society of Arts and Letters (NSAL), National Drama Competition. He made his screen debut starring in the ABC miniseries When We Rise and has since landed strong roles, cementing him as a Hollywood actor to watch.

For more insight into Jonathan Majors and his work, read the interview with The Hollywood Reporter November 30, 2022 on the subject of Devotion.

Majors is executive producing under his Tall Street production banner along with Nightcrawler producers Jennifer Fox, Dan Gilroy and Jeffrey Soros and Simon Horsman. CAA Media Finance arranged financing through the Los Angeles Media Fund and is repping the film for both domestic and international distribution. Los Angeles Media Fund (Jeffrey Soros, Luke Rogers III, Simon Horsman and Andrew Blau) fully financed the film. They are currently working on The Color of Cola, a documentary based on a book by Stephanie Capparell, The Real Pepsi Challenge: How One Pioneering Company Broke Color Barriers in 1940s American Business, which shares the experience of the all-Black sales team at Pepsi, directed by Stanley Nelson and Jacqueline Olive.

Sundance Film Festival 2023

2023 Sundance Film Festival Announces Lineup of 99 Feature Films Top L–R: Bravo, Burkina!, Girl, Polite Society, Mami Wata. Center L–R: Going Varsity in Mariachi, The Accidental Getaway Driver, Deep Rising, Cassandro. Bottom L–R: The Pod Generation, Pretty Baby: Brooke Shields, Nam June Paik: Moon is the Oldest TV, The Eternal Memory. Find Out Why All Eyes Are On Independents In-Person Ticket Packages Now On Sale; Online Ticket Package Sales Begin December 13 PARK CITY, UTAH, December 7, 2022 — Today the nonprofit Sundance Institute announced the comprehensive slate of independent films selected across the feature film categories for the 2023 Sundance Film Festival. The 2023 Festival will take place January 19–29, 2023, in person in Park City, Salt Lake City, and the Sundance Resort, along with a selection of films available online across the country January 24–29, 2023. Festivalgoers will once again return to theaters to discover this upcoming year’s most impactful independent stories. In-Person Ticket Packages are currently on sale through December 16, Online Ticket Packages go on sale December 13 at 10 a.m. MT, and single film tickets go on sale January 12 at 10 a.m. MT. Setting the scene, Day One Features will open the Festival in Park City: 11 features, plus a Shorts program, will illustrate the scope of Festival work across genre and form. Day One Features are birth/rebirth, L’Immensità, It’s Only Life After All, Kim’s Video, Little Richard: I Am Everything, The Longest Goodbye, The Pod Generation, Radical, Shayda, Sometimes I Think About Dying, and Run Rabbit Run. In addition, on January 19, the Institute will host the inaugural Opening Night: A Taste of Sundance presented by IMDbPro. The celebration will kick off the Festival welcoming everyone back together again while raising funds for the Institute’s critical year-round artist support. The evening will honor Ryan Coogler, Nikyatu Jusu, W. Kamau Bell, and more whose journeys have been connected to Sundance throughout the years. In addition, in-person attendees will get to experience a robust offering of talks and events during the Festival, with more details to be announced. Films will become available online during the second half of the Festival — beginning January 24 — and will include all Competition titles (U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and NEXT), as well as exciting work across other sections of the feature film program, Indie Episodic Program, and Shorts Program. Audiences can enjoy the selection of films exclusively on the Sundance Film Festival online platform — those that will be available online are noted below. The online offering reinforces the Institute’s commitment to accessibility by allowing audiences coast to coast to take part in the discovery of captivating stories. The Shorts and Indie Episodic lineups for the 2023 Sundance Film Festival will be announced on December 13. “Maintaining an essential place for artists to express themselves, take risks, and for visionary stories to endure and entertain is distinctly Sundance,” said Robert Redford, Sundance Institute Founder and President. “The Festival continues to foster these values and connections through independent storytelling. We are honored to share the compelling selection of work at this year’s Festival from distinct perspectives and unique voices.” “As a program of the Sundance Institute, the Festival provides a place for artists globally to connect with audiences around a shared and inclusive experience of discovery,” said Joana Vicente, Sundance Institute CEO. “These filmmakers reflect the world around us through bold and thrilling storytelling. It is critical for the arts to foster dialogue, especially during unprecedented times — these stories are needed to provoke discussion, share diverse viewpoints, and challenge us. We are delighted to welcome this group of passionate artists to the Festival and look forward to celebrating the films together with audiences.” “The program for this year’s Festival reiterates the relevancy of trailblazing work serving as an irreplaceable source for original stories that resonate and fuel creativity and dialogue,” said Kim Yutani, Sundance Film Festival Director of Programming. “In so many ways this year’s slate reflects the voices of communities around the world who are speaking out with urgency and finally being heard. Across our program, impactful storytelling by fearless artists continues to provide space for the community to come together to be entertained, challenged, and inspired.” The 2023 Sundance Film Festival’s Salt Lake City Opening Night Gala Film is Blueback, premiering at the Rose Wagner Performing Arts Center on January 20. The upcoming Festival will expand its presence in Salt Lake City, providing more places to take part in the thrilling experience, including at The Megaplex Theatres at The Gateway. Also announced today, The Pod Generation, screening in the Premieres section, has been named the winner of the Alfred P. Sloan Feature Film Prize, an annual award given to an artist with the most outstanding depiction of science and technology in a feature film. The slate announced to date includes SLAM and The Doom Generation, which are featured in the From the Collection section bringing archival screenings back into focus as part of the Festival. The Sundance Film Festival is an artist program of the Sundance Institute. Proceeds earned through Festival ticket sales go to uplifting and developing emerging artists on a year-round basis through focused labs, direct grants, fellowships, residencies, and more. The full slate of works announced today, along with the From the Collection films previously announced, includes 101 feature-length films representing 23 countries. The 2023 program is made up of 32 of 115 (28%) feature film directors who are first-time feature filmmakers, and 17 of the feature films and projects announced today were supported by Sundance Institute in development through direct granting or residency labs. World premieres make up 93, or 94%, of the Festival’s 99 feature films announced today. These films were selected from 15,855 submissions, including 4,061 feature-length films. Of the 4,061 feature film submissions, 1,662 were from the U.S., and 2,399 were international. Director demographics are available in an editor’s note below. U.S. DRAMATIC COMPETITION Presenting 12 world premieres of fiction feature films, the Dramatic Competition offers audiences a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Nanny, CODA, Passing, Minari, Never Rarely Sometimes Always, The Farewell, Clemency, Eighth Grade, and Sorry to Bother You. The Accidental Getaway Driver / U.S.A. (Director and Screenwriter: Sing J. Lee, Screenwriter: Christopher Chen, Producers: Kimberly Steward, Basil Iwanyk, Andy Sorgie, Brendon Boyea, Joseph Hiếu) — During a routine pickup, an elderly Vietnamese cab driver is taken hostage at gunpoint by three recently escaped Orange County convicts. Based on a true story. Cast: Hiệp Trần Nghĩa, Dustin Nguyen, Dali Benssalah, Phi Vũ, Gabrielle Chan. World Premiere. Available online. All Dirt Roads Taste of Salt / U.S.A. (Director and Screenwriter: Raven Jackson, Producers: Maria Altamirano, Barry Jenkins, Adele Romanski, Mark Ceryak) – A decades-spanning exploration of a woman’s life in Mississippi and an ode to the generations of people, places, and ineffable moments that shape us. Cast: Charleen McClure, Moses Ingram, Kaylee Nicole Johnson, Reginald Helms Jr., Sheila Atim, Chris Chalk. World Premiere. Available online. Fair Play / U.S.A. (Director and Screenwriter: Chloe Domont, Producers: Leopold Hughes, Ben LeClair, Tim White, Trevor White, Allan Mandelbaum) — An unexpected promotion at a cutthroat hedge fund pushes a young couple’s relationship to the brink, threatening to unravel far more than their recent engagement. Cast: Phoebe Dynevor, Alden Ehrenreich, Eddie Marsan. World Premiere. Available online. Fancy Dance / U.S.A. (Director, Screenwriter, and Producer: Erica Tremblay, Screenwriter: Miciana Alise, Producers: Deidre Backs, Heather Rae, Nina Yang Bongiovi, Tommy Oliver) — Following her sister’s disappearance, a Native American hustler kidnaps her niece from the child’s white grandparents and sets out for the state powwow in hopes of keeping what is left of their family intact. Cast: Lily Gladstone, Isabel Deroy-Olson, Ryan Begay, Shea Whigham, Audrey Wasilewski. World Premiere. Available online. Magazine Dreams / U.S.A. (Director and Screenwriter: Elijah Bynum, Producers: Jennifer Fox, Dan Gilroy, Jeffrey Soros, Simon Horsman) — An amateur bodybuilder struggles to find human connection as his relentless drive for recognition pushes him to the brink. Cast: Jonathan Majors, Haley Bennett, Taylour Paige, Mike O’Hearn, Harrison Page, Harriet Sansom Harris. World Premiere. Available online. Mutt / U.S.A. (Director, Screenwriter, and Producer: Vuk Lungulov-Klotz, Producers: Alexander Stegmaier, Stephen Scott Scarpulla, Jennifer Kuczaj, Joel Michaely) — Over the course of a single hectic day in New York City, three people from Feña’s past are thrust back into his life. Having lost touch since transitioning from female to male, he navigates the new dynamics of old relationships while tackling the day-to-day challenges of living life in between. Cast: Lío Mehiel, Cole Doman, MiMi Ryder, Alejandro Goic. World Premiere. Available online. The Persian Version / U.S.A. (Director, Screenwriter, and Producer: Maryam Keshavarz, Producers: Anne Carey, Ben Howe, Luca Borghese, Peter Block, Corey Nelson) — When a large Iranian-American family gathers for the patriarch’s heart transplant, a family secret is uncovered that catapults the estranged mother and daughter into an exploration of the past. Toggling between the United States and Iran over decades, mother and daughter discover they are more alike than they know. Cast: Layla Mohammadi, Niousha Noor, Kamand Shafieisabet, Bella Warda, Bijan Daneshmand, Shervin Alenabi. World Premiere. Available online. Shortcomings / U.S.A. (Director: Randall Park, Screenwriter: Adrian Tomine, Producers: Margot Hand, Randall Park, Hieu Ho, Jennifer Berman, Howard Cohen, Eric d’Arbeloff) — Following Ben, Miko, and Alice as they navigate a range of interpersonal relationships and traverse the country in search of the ideal connection. Cast: Justin H. Min, Sherry Cola, Ally Maki, Debby Ryan, Tavi Gevinson, Sonoya Mizuno. World Premiere. Available online. Sometimes I Think About Dying / U.S.A. (Director: Rachel Lambert, Screenwriters: Kevin Armento, Stefanie Abel Horowitz, Katy Wright-Mead, Producers: Alex Saks, Daisy Ridley, Dori Rath, Lauren Beveridge, Brett Beveridge) — Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself. Cast: Daisy Ridley, Dave Merheje, Parvesh Cheena, Marcia DeBonis, Meg Stalter, Brittany O’Grady. World Premiere. Available online. DAY ONE The Starling Girl / U.S.A. (Director and Screenwriter: Laurel Akira Parmet, Producers: Kevin Rowe, Kara Durrett) — Seventeen-year-old Jem Starling struggles with her place within her Christian fundamentalist community, but everything changes when her magnetic youth pastor Owen returns to their church. Cast: Eliza Scanlen, Lewis Pullman, Jimmi Simpson, Wrenn Schmidt, Austin Abrams, Jessamine Burgum. World Premiere. Available online. Theater Camp / U.S.A. (Directors and Screenwriters: Molly Gordon, Nick Lieberman, Screenwriters: Noah Galvin, Ben Platt, Producers: Erik Feig, Samie Kim Falvey, Julia Hammer, Ryan Heller, Will Ferrell, Jessica Elbaum) — When the beloved founder of a run-down theater camp in upstate New York falls into a coma, the eccentric staff must band together with the founder’s crypto-bro son to keep the camp afloat. Cast: Molly Gordon, Ben Platt, Noah Galvin, Jimmy Tatro, Patti Harrison, Ayo Edebiri. World Premiere. Available online. A Thousand and One / U.S.A. (Director and Screenwriter: A.V. Rockwell, Producers: Eddie Vaisman, Julia Lebedev, Lena Waithe, Rishi Rajani, Brad Weston) — Convinced it’s one last, necessary crime on the path to redemption, unapologetic and free-spirited Inez kidnaps 6-year-old Terry from the foster care system. Holding on to their secret and each other, mother and son set out to reclaim their sense of home, identity, and stability in New York City. Cast: Teyana Taylor, Will Catlett, Josiah Cross, Aven Courtney, Aaron Kingsley Adetola. World Premiere. Available online. U.S. DOCUMENTARY COMPETITION World-premiere American documentaries that illuminate the ideas, people, and events that shape the present day. Films that have premiered in this category in recent years include Fire of Love, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down the House, One Child Nation, American Factory, Three Identical Strangers, and On Her Shoulders. AUM: The Cult at the End of the World / U.S.A. (Directors and Producers: Ben Braun, Chiaki Yanagimoto, Producers: Dan Braun, Josh Braun, Rick Brookwell) — On the morning of March 20, 1995, a deadly nerve gas attack in the Tokyo subway sent the nation and its people into chaos. This exploration of Aum Shinrikyo, the cult responsible for the attack, involves the participation of those who lived through the horror as it unfolded. World Premiere. Available online. Bad Press / U.S.A (Directors: Rebecca Landsberry-Baker, Joe Peeler, Producers: Conrad Beilharz, Garrett F. Baker, Tyler Graim) — When the Muscogee Nation suddenly begins censoring its free press, a rogue reporter fights to expose her government’s corruption in a historic battle that will have ramifications for all of Indian country. World Premiere. Available online. The Disappearance of Shere Hite / U.S.A. (Director and Producer: Nicole Newnham, Producers: Molly O’Brien, R.J. Cutler, Elise Pearlstein, Kimberley Ferdinando, Trevor Smith) — Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear? World Premiere. Available online. Going to Mars: The Nikki Giovanni Project / U.S.A. (Directors and Producers: Joe Brewster, Michèle Stephenson, Producer: Tommy Oliver) — Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary poet Nikki Giovanni as she reflects on her life and legacy. World Premiere. Available online. Going Varsity in Mariachi / U.S.A. (Directors: Alejandra Vasquez, Sam Osborn, Producers: James Lawler, Luis A. Miranda, Jr., Julia Pontecorvo) — In the competitive world of high school mariachi, the musicians from the South Texas borderlands reign supreme. Under the guidance of coach Abel Acuña, the teenage captains of Edinburg North High School’s acclaimed team must turn a shoestring budget and diverse crew of inexperienced musicians into state champions. World Premiere. Available online. Joonam / U.S.A. (Director: Sierra Urich, Producer: Keith Wilson) — Spurred by a provocative family memory and a lifetime of separation from the country her mother left behind, a young filmmaker delves into her mother and grandmother’s complicated pasts and her own fractured Iranian identity. World Premiere. Available online. Little Richard: I Am Everything / U.S.A. (Director and Producer: Lisa Cortés, Producers: Robert Friedman, Liz Yale Marsh, Caryn Capotosto) — This celebration of Little Richard reveals the Black queer origins of rock ’n’ roll, finally exploding the whitewashed canon of American pop music. Through archival and performance footage, the revolutionary icon’s life unspools with all of its switchbacks and contradictions. World Premiere. Available online. DAY ONE Nam June Paik: Moon is the Oldest TV / U.S.A. (Director and Producer: Amanda Kim, Producers: Amy Hobby, David Koh, Mariko Munro, Jennifer Stockman, Jesse Wann) — The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today’s world. World Premiere. Available online. A Still Small Voice / U.S.A. (Director and Producer: Luke Lorentzen, Producer: Kellen Quinn) — An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. World Premiere. Available online. The Stroll / U.S.A. (Directors: Kristen Lovell, Zackary Drucker, Producer: Matt Wolf) — The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights. World Premiere. Available online. Victim/Suspect / U.S.A. (Director and Producer: Nancy Schwartzman, Producers: Julie Goldman, Christopher Clements, Alice Henty, Rachel de Leon, Amanda Pike) — Investigative journalist Rae de Leon travels nationwide to uncover and examine a shocking pattern: Young women tell the police they’ve been sexually assaulted, but instead of finding justice, they’re charged with the crime of making a false report, arrested, and even imprisoned by the system they believed would protect them. World Premiere. Available online. WORLD CINEMA DRAMATIC COMPETITION Fiction projects from emerging artists around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include Brian and Charles, Hive, Luzzu, The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident, and Second Mother. Animalia / France, Morocco, Qatar (Director and Screenwriter: Sofia Alaoui, Producers: Margaux Lorier, Toufik Ayadi, Christophe Barral) — A young, pregnant woman finds emancipation as aliens land in Morocco. Cast: Oumaïma Barid, Mehdi Dehbi, Fouad Oughaou. World Premiere. Available online. Bad Behaviour / New Zealand (Director and Screenwriter: Alice Englert, Producers: Molly Hallam, Desray Armstrong) — Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan. Cast: Jennifer Connelly, Ben Whishaw, Alice Englert, Ana Scotney, Dasha Nekrasova, Marlon Williams. World Premiere. Available online. Girl / U.K. (Director and Screenwriter: Adura Onashile, Producers: Rosie Crerar, Ciara Barry) — Eleven-year-old Ama and her mother, Grace, take solace in the gentle but isolated world they obsessively create. Ama’s growing up threatens the boundaries of their tenderness and forces Grace to reckon with a past she struggles to forget. Cast: Déborah Lukumuena, Danny Sapani, Le’Shantey Bonsu, Liana Turner. World Premiere. Available online. Heroic / Mexico, Sweden (Director, Screenwriter, and Producer: David Zonana, Producers: Michel Franco, Eréndira Núñez Larios) — Luis, an 18-year-old boy with Indigenous roots, enters the Heroic Military College in hopes of ensuring a better future. There, he encounters a rigid and institutionally violent system designed to turn him into a perfect soldier. Cast: Santiago Sandoval Carbajal, Fernando Cuautle, Mónica del Carmen, Esteban Caicedo, Carlos Gerardo García, Isabel Yudice. World Premiere. Available online. MAMACRUZ / Spain (Director and Screenwriter: Patricia Ortega, Screenwriter: José Ortuño, Producer: Olmo Figueredo) — With the help of her newly emigrated daughter, a religious grandmother learns how to use the internet. However, an accidental encounter with pornography poses a dilemma for her. Cast: Kiti Mánver. World Premiere. Available online. Mami Wata / Nigeria (Director and Screenwriter: C.J. “Fiery” Obasi, Producer: Oge Obasi) — When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land. Cast: Evelyne Ily, Uzoamaka Aniunoh, Kelechi Udegbe, Emeka Amakeze, Rita Edochie, Tough Bone. World Premiere. Available online. La Pecera / Puerto Rico, Spain (Director, Screenwriter, and Producer: Glorimar Marrero Sánchez, Producers: Amaya Izquierdo, José Esteban Alenda) — As her cancer spreads, Noelia’s ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after sixty years of military practices. Cast: Isel Rodríguez, Modesto Lacén, Magali Carrasquillo, Maximiliano Rivas, Anamín Santiago, Idenisse Salamán. World Premiere. Available online. Scrapper / U.K. (Director and Screenwriter: Charlotte Regan, Producer: Theo Barrowclough) — Georgie is a dreamy 12-year-old girl who lives happily alone in her London flat, filling it with magic. Out of nowhere, her estranged father turns up and forces her to confront reality. Cast: Harris Dickinson, Lola Campbell, Alin Uzun, Ambreen Razia, Olivia Brady, Aylin Tezel. World Premiere. Available online. Shayda / Australia (Director, Screenwriter, and Producer: Noora Niasari, Producer: Vincent Sheehan) — Shayda, a brave Iranian mother, finds refuge in an Australian women’s shelter with her 6-year-old daughter. Over Persian New Year, they take solace in Nowruz rituals and new beginnings, but when her estranged husband re-enters their lives, Shayda’s path to freedom is jeopardized. Cast: Zar Amir Ebrahimi, Osamah Sami, Leah Purcell, Jillian Nguyen, Mojean Aria, Selina Zahednia. World Premiere. Available online. DAY ONE Slow / Lithuania, Spain, Sweden (Director and Screenwriter: Marija Kavtaradze, Producer: Marija Razgute) — Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy. Cast: Greta Grinevičiūtė, Kęstutis Cicėnas. World Premiere. Available online. Sorcery / Chile, Mexico, Germany (Director and Screenwriter: Christopher Murray, Screenwriter: Pablo Paredes, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue, Nicolás Celis) — On the remote island of Chiloé in the late 19th century, an Indigenous girl named Rosa lives and works with her father on a farm. When the foreman brutally turns on Rosa’s father, she sets out for justice, seeking help from the king of a powerful organization of sorcerers. Cast: Valentina Véliz, Daniel Antivilo, Sebastian Hulk, Daniel Muñoz. World Premiere. Available online. When It Melts / Belgium (Director and Screenwriter: Veerle Baetens, Screenwriter: Maarten Loix, Producers: Bart Van Langendonck, Ellen Havenith, Jacques-Henri Bronckart) — Many years after a sweltering summer that spun out of control, Eva returns to the village she grew up in with an ice block in the back of her car. In the dead of winter, she confronts her past and faces up to her tormentors. Cast: Charlotte De Bruyne, Rosa Marchant. World Premiere. Available online. WORLD CINEMA DOCUMENTARY COMPETITION Documentaries by some of the boldest global filmmakers capturing the world today. Films that have premiered in this category in recent years include All That Breathes, Flee, Honeyland, Sea of Shadows, Shirkers, This Is Home, Last Men in Aleppo, and Hooligan Sparrow. 5 Seasons of Revolution / Germany, Syria, Netherlands, Norway (Director: Lina, Producer: Diana El Jeiroudi) — An aspiring video journalist in her 20s finds herself already facing self-reckoning. Born in Damascus, Syria, Lina starts to report on the events around her until she is compelled to become a war reporter and, later, the unexpected narrator of her own destiny. World Premiere. Available online. 20 Days in Mariupol / Ukraine (Director and Producer: Mstyslav Chernov, Producers: Michelle Mizner, Raney Aronson-Rath, Derl McCrudden) — As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war’s atrocities. World Premiere. Available online. Against the Tide / India (Director and Producer: Sarvnik Kaur, Producer: Koval Bhatia) — Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families. World Premiere. Available online. The Eternal Memory / Chile (Director and Producer: Maite Alberdi, Producers: Juan de Dios Larraín, Pablo Larraín, Rocío Jadue) — Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognizes her. World Premiere. Available online. Fantastic Machine / Sweden, Denmark (Directors and Producers: Axel Danielson, Maximilien Van Aertryck) — From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity’s unique obsession with the camera’s image and the social consequences that lay ahead. World Premiere. Available online. Iron Butterflies / Ukraine, Germany (Director: Roman Liubyi, Producers: Andrii Kotliar, Volodymyr Tykhyy, David Armati Lechner, Isabelle Bertolone, Trini Götze) — In summer 2014, sunflower fields and coal mines in eastern Ukraine turned into a 12 square kilometer crime scene. A multi-layered investigation into the downing of flight MH17, in which a butterfly-shaped shrapnel was found in the pilot’s body, implicated the state responsible for a war crime that remains unpunished. World Premiere. Available online. Is There Anybody Out There? / U.K. (Director: Ella Glendining, Producer: Janine Marmot) — While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism. World Premiere. Available online. The Longest Goodbye / Israel, Canada (Director and Producer: Ido Mizrahy, Producers: Nir Sa’ar, Paul Cadieux) — Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers. World Premiere. Available online. DAY ONE Milisuthando / South Africa (Director and Screenwriter: Milisuthando Bongela, Producer: Marion Isaacs) — Set in past, present, and future South Africa — an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by the filmmaker, who grew up during apartheid but didn’t know it was happening until it was over. World Premiere. Available online. Pianoforte / Poland (Director: Jakub Piątek, Producer: Maciej Kubicki) — Young pianists take part in the legendary International Chopin Piano Competition. A unique chance of a lifetime, portrayed from backstage and set to Chopin’s music. World Premiere. Available online. Smoke Sauna Sisterhood / Estonia, France, Iceland (Director: Anna Hints, Producer: Marianne Ostrat) — In the darkness of a smoke sauna, women share their innermost secrets and intimate experiences, washing off the shame trapped in their bodies and regaining their strength through a sense of communion. World Premiere. Available online. Twice Colonized / Greenland, Denmark, Canada (Director: Lin Alluna, Producers: Emile Hertling Péronard, Alethea Arnaquq-Baril, Stacey Aglok MacDonald, Bob Moore) — Renowned Inuit lawyer Aaju Peter has long fought for the rights of her people. When her son suddenly dies, Aaju embarks on a journey to reclaim her language and culture after a lifetime of whitewashing and forced assimilation. But can she both change the world and mend her own wounds? World Premiere. Available online. NEXT Visionary works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include A Love Song, RIOTSVILLE, USA, The Infiltrators, Searching, Skate Kitchen, A Ghost Story, and Tangerine. NEXT is presented by Adobe. Bravo, Burkina! / U.S.A. (Director, Screenwriter, and Producer: Walé Oyéjidé, Producers: Giulia Alagna, Heather Barnes) — A Burkinabé boy flees his village and migrates to Italy. When disillusioned by heartbreak and haunted by memories of home, he travels through time in hope of regaining all he has lost. Cast: Alain Tiendrebeogo, Mousty Mbaye, Noel Minougou, Aissata Deme, Afissatou Coulibaly. World Premiere. Fiction. Available online. Divinity / U.S.A. (Director, Screenwriter, and Producer: Eddie Alcazar, Producer: Steven Soderbergh) — Two mysterious brothers abduct a mogul during his quest for immortality. Meanwhile, a seductive woman helps them launch a journey of self-discovery. Cast: Stephen Dorff, Moises Arias, Jason Genao, Karrueche Tran, Bella Thorne, Scott Bakula. World Premiere. Fiction. Available online. Fremont / U.S.A. (Director and Screenwriter: Babak Jalali, Screenwriter: Carolina Cavalli, Producers: Marjaneh Moghimi, Sudnya Shroff, Rachael Fung, George Rush, Chris Martin, Laura Wagner) — Donya works for a Chinese fortune cookie factory in San Francisco. Formerly a translator for the U.S. military in Afghanistan, she struggles to put her life back in order. In a moment of sudden revelation, she decides to send out a special message in a cookie. Cast: Anaita Wali Zada, Jeremy Allen White, Gregg Turkington. World Premiere. Fiction. Available online. Kim’s Video / U.S.A. (Directors, Screenwriters, and Producers: David Redmon, Ashley Sabin, Producers: Deborah Smith, Dale Smith, Francesco Galavotti, Rebecca Tabasky) — Playing with the forms and tropes of various cinema genres, the filmmaker sets off on a quest to find a legendary lost video collection of 55,000 movies in Sicily. World Premiere. Documentary. Available online. DAY ONE King Coal / U.S.A. (Director and Producer: Elaine McMillion Sheldon, Producers: Shane Boris, Diane Becker, Peggy Drexler) — The cultural roots of coal continue to permeate the rituals of daily life in Appalachia even as its economic power wanes. The journey of a coal miner’s daughter exploring the region’s dreams and myths, untangling the pain and beauty, as her community sits on the brink of massive change. World Premiere. Documentary. Available online. KOKOMO CITY / U.S.A. (Director and Producer: D. Smith, Producers: Harris Doran, Bill Butler) — Four Black transgender sex workers explore the dichotomy between the Black community and themselves, while confronting issues long avoided. World Premiere. Documentary. Available online. To Live and Die and Live / U.S.A. (Director, Screenwriter, and Producer: Qasim Basir, Producers: Nina Yang Bongiovi, Forest Whitaker, Amin Joseph, Dana Offenbach, Samantha Basir) — Muhammad returns home to Detroit to bury his stepfather and is thrust into settling his accounts, but Muhammad’s struggles with depression and addiction may finish him before he finishes the task. Cast: Amin Joseph, Skye P. Marshall, Omari Hardwick, Cory Hardrict, Dana Gourrier, Maryam Basir. World Premiere. Fiction. Available online. The Tuba Thieves / U.S.A. (Director, Screenwriter, and Producer: Alison O’Daniel, Producer: Rachel Nederveld, Wendy Ettinger, Maida Lynn, Su Kim, Maya E. Rudolph) — From 2011 to 2013, tubas were stolen from Los Angeles high schools. This is not a story about thieves or missing tubas. Instead, it asks what it means to listen. World Premiere. Documentary. Available online. Young. Wild. Free. / U.S.A (Director: Thembi L. Banks, Screenwriters: Juel Taylor, Tony Rettenmaier, Producers: Charles D. King, James Lopez, Poppy Hanks, Tommy Oliver, Baron Davis, Tracy “Twinkie” Byrd) — High school senior Brandon is drowning in responsibilities when his world is turned upside down after being robbed at gunpoint by the girl of his dreams. Cast: Algee Smith, Sanaa Lathan, Sierra Capri, Mike Epps. World Premiere. Fiction. Available online. MIDNIGHT From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include FRESH, Hereditary, Mandy, Relic, Assassination Nation, and The Babadook. birth/rebirth / U.S.A. (Director and Screenwriter: Laura Moss, Screenwriter: Brendan J. O’Brien, Producers: Mali Elfman, David Grove Churchill Viste) — A single mother and a childless morgue technician are bound together by their relationship to a little girl they have reanimated from the dead. Cast: Marin Ireland, Judy Reyes, A.J. Lister, Breeda Wool. World Premiere. Fiction. DAY ONE In My Mother’s Skin / Philippines (Director and Screenwriter: Kenneth Dagatan, Producers: Bradley Liew, Bianca Balbuena, Huang Junxiang, Stefano Centini) — Stranded in the Philippines during World War II, a young girl finds that her duty to protect her dying mother is complicated by her misplaced trust in a beguiling, flesh-eating fairy. Cast: Beauty Gonzalez, Felicity Kyle Napuli, Jasmine Curtis-Smith, James Mavie Estrella, Angeli Bayani. World Premiere. Fiction. Infinity Pool / Canada (Director and Screenwriter: Brandon Cronenberg, Producers: Karen Harnisch, Andrew Cividino, Christian Piovesan, Noah Segal, Rob Cotterill, Anita Juka) — James and Em are enjoying an all-inclusive beach vacation when a fatal accident exposes the resort’s perverse subculture of hedonistic tourism, reckless violence, and surreal horrors. Cast: Alexander Skarsgård, Mia Goth, Cleopatra Coleman. World Premiere. Fiction. My Animal / Canada (Director: Jacqueline Castel, Screenwriter: Jae Matthews, Producers: Andrew Bronfman, Michael Solomon) — Heather, an outcast teenage goalie in a small northern town, falls for newcomer Jonny, an alluring but tormented figure skater. As their relationship deepens, Heather’s growing desires clash with her darkest secret, forcing her to control the animal within. Cast: Bobbi Salvör Menuez, Amandla Stenberg, Stephen McHattie, Heidi von Palleske, Cory Lipman, Joe Apollonio. World Premiere. Fiction. Onyx the Fortuitous and the Talisman of Souls / U.S.A. (Director, Screenwriter, and Producer: Andrew Bowser, Producers: Clark Baker, Michael Mobley, Olivia Taylor Dudley) — Onyx joins a group of fellow occultists to attend a dark ritual at the mansion of their idol, Bartok. Suspecting Bartok’s nefarious intentions, Onyx is suddenly immersed in a world of monsters, mystery, and mayhem. Cast: Andrew Bowser, Olivia Taylor Dudley, Jeffrey Combs, Ralph Ineson, Rivkah Reyes, T.C. Carson. World Premiere. Fiction. Available online. Polite Society / U.K. (Director and Screenwriter: Nida Manzoor, Producers: Tim Bevan, Eric Fellner, Olivier Kaempfer, John Pocock) — Aspiring martial artist Ria Khan believes she must save her older sister, Lena, from her impending marriage. With the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood. Cast: Priya Kansara, Ritu Arya, Nimra Bucha, Akshay Khanna, Seraphina Beh, Ella Bruccoleri. World Premiere. Fiction. Run Rabbit Run / Australia (Director: Daina Reid, Screenwriter: Hannah Kent, Producers: Sarah Shaw, Anna McLeish) — As a fertility doctor, Sarah has a firm understanding of the cycle of life. However, when she is forced to make sense of the increasingly strange behavior of her young daughter, Sarah must challenge her own beliefs and confront a ghost from her past. Cast: Sarah Snook, Lily LaTorre, Damon Herriman, Greta Scacchi. World Premiere. Fiction. Available online. DAY ONE Talk to Me / Australia (Director and Screenwriter: Danny Philippou, Director: Michael Philippou, Screenwriter: Bill Hinzman, Producers: Samantha Jennings, Kristina Ceyton) — When a group of friends discover how to conjure spirits using an ancient embalmed hand, they become hooked on the new thrill. Until one of them goes too far and opens the door to the spirit world. Cast: Sophie Wilde, Miranda Otto, Alexandra Jensen, Joe Bird, Zoe Terakes, Otis Dhanji. International Premiere. Fiction. PREMIERES A showcase of world premieres of some of the most highly anticipated fiction and documentary films of the coming year. Fiction films that have screened in Premieres include Good Luck to You, Leo Grande, Promising Young Woman, Kajillionaire,The Report, Late Night, and The Big Sick. Past documentary films include The Dissident, Lucy and Desi, On the Record, and Miss Americana. Cassandro / U.S.A (Director and Screenwriter: Roger Ross Williams, Screenwriters: David Teague, Julián Herbert, Producers: Gerardo Gatica, Todd Black, David Bloomfield, Ted Hope, Julie Goldman) — Saúl Armendáriz, a gay amateur wrestler from El Paso, rises to international stardom after he creates the character Cassandro, the “Liberace of Lucha Libre.” In the process, he upends not just the macho wrestling world, but also his own life. Cast: Gael García Bernal, Roberta Colindrez, Perla De La Rosa, Joaquín Cosío, Raúl Castillo. World Premiere. Fiction. Cat Person / France, U.S.A (Director: Susanna Fogel, Screenwriter: Michelle Ashford, Producers: Helen Estabrook, Jeremy Steckler) — College student Margot meets 33-year-old Robert at the movie theater where she works. After a casual flirtation at the concession stand, they carry on conversations through texts. As their perceptions of each other collide, events spiral out of control. Based on The New Yorker short story by Kristen Roupenian. Cast: Emilia Jones, Nicholas Braun, Geraldine Viswanathan, Hope Davis, Fred Melamed, Isabella Rossellini. World Premiere. Fiction. Available online. Deep Rising / U.S.A (Director and Producer: Matthieu Rytz) — The fate of the planet’s last untouched wilderness, the deep ocean, is under threat as a secretive organization is about to allow massive extraction of seabed metals to address the world’s energy crisis. Narrated by Jason Momoa. World Premiere. Documentary. The Deepest Breath / U.K, Ireland (Director and Screenwriter: Laura McGann, Producers: John Battsek, Sarah Thomson, Jamie D’Alton, Anne McLoughlin) — A champion freediver and expert safety diver seemed destined for one another despite the different paths they took to meet at the pinnacle of the freediving world. A look at the thrilling rewards — and inescapable risks — of chasing dreams through the depths of the ocean. World Premiere. Documentary. Drift / France, U.K, Greece (Director and Producer: Anthony Chen, Screenwriters: Susanne Farrell, Alexander Maksik, Producers: Peter Spears, Emilie Georges, Naima Abed, Cynthia Erivo, Solome Williams) — Jacqueline, a young refugee, lands alone and penniless on a Greek island where she tries to survive, then to cope with her past. While gathering her strength, she begins a friendship with a rootless tour guide and together they find the resilience to forge ahead. Cast: Cynthia Erivo, Alia Shawkat, Ibrahima Ba, Honor Swinton Byrne, Zainab Jah, Suzy Bemba. World Premiere. Fiction. Eileen / U.S.A (Director and Producer: William Oldroyd, Screenwriters and Producers: Luke Goebel, Ottessa Moshfegh, Producers: Anthony Bregman, Stefanie Azpiazu, Peter Cron) — Set during a bitter 1964 Massachusetts winter, young secretary Eileen becomes enchanted by the glamorous new counselor at the prison where she works. Their budding friendship takes a twisted turn when Rebecca reveals a dark secret — throwing Eileen onto a sinister path. Based on Ottessa Moshfegh’s award-winning novel. Cast: Thomasin McKenzie, Anne Hathaway, Shea Whigham, Marin Ireland, Owen Teague. World Premiere. Fiction. Fairyland / U.S.A (Director, Screenwriter, and Producer: Andrew Durham, Producers: Sofia Coppola, Megan Carlson, Siena Oberman, Greg Lauritano, Laure Sudreau) — Set against the backdrop of San Francisco’s vibrant cultural scene in the 1970s and ’80s, chronicling a father-daughter relationship as it evolves from an era of bohemian decadence to the heartbreaking AIDS crisis. Based on the best-selling memoir Fairyland: A Memoir of My Father by Alysia Abbott. Cast: Scoot McNairy, Emilia Jones, Geena Davis, Cody Fern, Adam Lambert, Maria Bakalova. World Premiere. Fiction. Food and Country / U.S.A (Director and Producer: Laura Gabbert, Producers: Ruth Reichl, Paula P. Manzanedo, Caroline Libresco) — America’s policy of producing cheap food at all costs has long hobbled small independent farmers, ranchers, and chefs. Worried for their survival, trailblazing food writer Ruth Reichl reaches out across political and social divides to uncover the country’s broken food system and the innovators risking it all to transform it. World Premiere. Documentary. Available online. Invisible Beauty / U.S.A (Directors: Bethann Hardison, Frédéric Tcheng, Producer: Lisa Cortés) — Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity. World Premiere. Documentary. It’s Only Life After All / U.S.A (Director and Producer: Alexandria Bombach, Producers: Kathlyn Horan, Jess Devaney, Anya Rous) — Blending 40 years of home movies, film archives, and intimate present-day vérité, a poignant reflection from Amy Ray and Emily Saliers of iconic folk rock duo Indigo Girls. A timely look into the obstacles, activism, and life lessons of two queer friends who never expected to make it big. World Premiere. Documentary. DAY ONE Jamojaya / U.S.A (Director, Screenwriter, and Producer: Justin Chon, Screenwriter: Maegan Houang, Producers: Alan Pao, David Matheny, Joseph Dang, Alex Chi, Yama Cibulka, Shaun Sanghani) — A father-son relationship is put to the test when an up-and-coming rapper at the crossroads of his career decides to let go of his manager, who is also his father. This decision forces them to confront the past and figure out what they want of each other. Cast: Brian Imanuel, Yayu A.W. Unru, Kate Lyn Sheil, Henry Ian Cusick, Anthony Kiedis. World Premiere. Fiction. Available online. Judy Blume Forever / U.S.A (Directors and Producers: Davina Pardo, Leah Wolchok, Producers: Sara Bernstein, Justin Wilkes, Marcella Steingart) — The radical honesty of the books by young adult fiction pioneer Judy Blume changed the way millions of readers understood themselves, their sexuality, and what it meant to grow up, but also led to critical battles against book banning and censorship. World Premiere. Documentary. Landscape With Invisible Hand / U.S.A (Director and Screenwriter: Cory Finley, Producers: Dede Gardner, Jeremy Kleiner) — When Earth is taken over by aliens who control the economy, a pair of teenagers come up with a plan to save their family. Cast: Tiffany Haddish, Asante Blackk, Kylie Rogers, Josh Hamilton, Michael Gandolfini, William Jackson Harper. World Premiere. Fiction. A Little Prayer / U.S.A (Director, Screenwriter, and Producer: Angus MacLachlan, Producers: Lauren Vilchik, Max A. Butler) — In the South, a man tests the limits of patriarchal interference to protect his daughter-in-law when he discovers that his son is having an affair. Cast: David Strathairn, Jane Levy, Celia Weston, Will Pullen, Anna Camp, Dascha Polanco. World Premiere. Fiction. Available online. Murder in Big Horn / U.S.A (Director and Producer: Razelle Benally, Director: Matthew Galkin, Producers: Ivan Macdonald, Ivy Macdonald) — The deaths of a group of Native American women in rural Montana are the focus as Native families, journalists, and local law enforcement reveal a violent crisis set in motion almost 200 years ago. World Premiere. Documentary. Available online. Passages / France (Director and Screenwriter: Ira Sachs, Screenwriter: Mauricio Zacharias, Producers: Saïd Ben Saïd, Michel Merkt) — An intimate examination of attraction and emotional abuse between men and women. Cast: Franz Rogowski, Ben Whishaw, Adèle Exarchopoulos. World Premiere. Fiction. PLAN C / U.S.A (Director and Producer: Tracy Droz Tragos) — A hidden grassroots organization doggedly fights to expand access to abortion pills across the United States keeping hope alive during a global pandemic and the fall of Roe v. Wade. World Premiere. Documentary. The Pod Generation / Belgium, France, U.K (Director and Screenwriter: Sophie Barthes, Producers: Geneviève Lemal, Yann Zenou, Nadia Kamlichi, Martin Metz) — In a not-so-distant future, amid a society madly in love with technology, tech giant Pegazus offers couples the opportunity to share their pregnancies via detachable artificial wombs or pods. And so begins Rachel and Alvy’s wild ride to parenthood in this brave new world. Cast: Emilia Clarke, Chiwetel Ejiofor, Rosalie Craig, Vinette Robinson, Jean-Marc Barr. World Premiere. Fiction. DAY ONE Pretty Baby: Brooke Shields / U.S.A (Director: Lana Wilson, Producers: Christine O’Malley, Jack Turner) — A galvanizing look at actor, model, and icon Brooke Shields as she transforms from sexualized young girl to a woman discovering her power. Holding a mirror up to a society that objectifies women and girls, her story shows the perils and triumphs of gaining agency in a hostile world. World Premiere. Documentary. Radical / U.S.A (Director and Screenwriter: Christopher Zalla, Producers: Ben Odell, Eugenio Derbez, Joshua Davis) — In a Mexican border town plagued by neglect, corruption, and violence, a frustrated teacher tries a radical new method to break through his students’ apathy and unlock their curiosity, their potential… and maybe even their genius. Based on a true story. Cast: Eugenio Derbez, Daniel Haddad, Jenifer Trejo, Mia Fernanda Solis, Danilo Guardiola. World Premiere. Fiction. DAY ONE Rotting in the Sun / U.S.A (Director and Screenwriter: Sebastian Silva, Screenwriter: Pedro Peirano, Producer: Jacob Wasserman) — After filmmaker Sebastian Silva goes missing in Mexico City, social media celebrity Jordan Firstman begins searching for him, suspecting that the cleaning lady in Sebastian’s building may have something to do with his disappearance. Cast: Jordan Firstman, Catalina Saavedra, Sebastian Silva. World Premiere. Fiction. Rye Lane / U.K (Director: Raine Allen-Miller, Screenwriters: Nathan Bryon, Tom Melia, Producers: Yvonne Isimeme Ibazebo, Damian Jones) — Two twenty-somethings reeling from bad breakups deal with their nightmare exes and connect over the course of an eventful day in South London. Cast: David Jonsson, Vivian Oparah. World Premiere. Fiction. Still: A Michael J. Fox Movie / U.S.A (Director and Producer: Davis Guggenheim, Producers: Jonathan King, Annetta Marion, Will Cohen) — The improbable tale of a short kid from a Canadian army base who became the darling of 1980s Hollywood — only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease? World Premiere. Documentary. You Hurt My Feelings / U.S.A (Director and Screenwriter: Nicole Holofcener, Producers: Stefanie Azpiazu, Anthony Bregman) — A novelist’s longstanding marriage is suddenly upended when she overhears her husband giving his honest reaction to her latest book. Cast: Julia Louis-Dreyfus, Tobias Menzies, Michaela Watkins, Owen Teague, Arian Moayed. World Premiere. Fiction. NEW FRONTIER FILMS New Frontier champions artists who engage in experimental storytelling at the crossroads of film, art, performance, and media technology, showcasing cutting-edge work that explores and evolves cinema culture in today’s rapidly changing landscape. New Frontier is presently in a process of reimagination. This year, we return to our roots to offer a lineup of resonant experimental films. A Common Sequence / U.S.A (Directors and Producers: Mary Helena Clark and Mike Gibisser, Producer: Graciela Guerrero-Reyes) — An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning. World Premiere. Documentary. Available online. Gush / U.S.A (Director, Screenwriter, and Producer: Fox Maxy) — An embodied rumination of both male and female power, healing and haunting, all within an apocalyptic world. A transformation that courses through unknown terror to untamed collective joy. Cast: Michel Sayegh, Ruth Fish, Sergio Mejia, Littlebear Sanchez, No’aash Iswut Peltier, Suavitel Paper. World Premiere. Fiction. Available online. Last Things / U.S.A, Portugal, France (Director, Screenwriter, and Producer: Deborah Stratman, Producers: Anže Peržin, Gaëlle Boucand) — Evolution and extinction from the point of view of rocks. A humid take on minerals, where sci-fi meets sci-fact. The geo-biosphere is a place of evolutionary possibility, where humans disappear but life endures. World Premiere. Documentary. Available online. SPOTLIGHT A tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Worst Person in the World, The Biggest Little Farm, Birds of Passage, The Rider, Ida, and The Lobster. The Eight Mountains / Italy and Belgium (Directors and Screenwriters: Felix van Groeningen, Charlotte Vandermeersch, Producers: Mario Gianani, Lorenzo Gangarossa) — Pietro spends his childhood summers in the same secluded Italian mountain village where Bruno was raised, in which they form a decades-long friendship. Over the years, their paths diverge as Bruno remains faithful to the mountain while Pietro comes and goes from the city. Cast: Luca Marinelli, Alessandro Borghi, Filippo Timi, Elena Lietti. Fiction. Available online. L’Immensità / Italy (Director and Screenwriter: Emanuele Crialese, Screenwriter: Francesca Manieri, Vittorio Moroni, Producer: Lorenzo Gangarossa, Mario Gianani — Clara has relocated to Rome with Felice and their three children. From their new apartment, Clara sees a city in transition: an old society washed away by an emerging middle class. The paint is fresh, the appliances are new, but expectations around family, desire, and gender remain traditional as ever. Cast: Penélope Cruz, Vincenzo Amato, Luana Giuliani, Patrizio Francioni, Maria Chiara Gorett, Penelope Nieto Conti. North American Premiere. Fiction. Available online. DAY ONE Joyland / Pakistan (Director and Screenwriter: Saim Sadiq, Producers: Apoorva Guru Charan, Sarmad Sultan Khoosat, Sabiha Sumar, Lauren Mann) — As the Ranas, a happily patriarchal joint family, yearn for the birth of a baby boy to continue the family line, their youngest son secretly joins an erotic dance theater and falls for an ambitious trans starlet. Their impossible love story illuminates the entire family’s desire for a sexual rebellion. Cast: Ali Junejo, Rasti Farooq, Alina Khan, Sarwat Gilani, Sania Saeed, Salmaan Peerzada. Fiction. Available online. Other People’s Children / France (Director and Screenwriter: Rebecca Zlotowski, Producers: Frederic Jouve, Marie Lecoq — Rachel is 40 years old with no children. She loves her life: her high school students, her friends, her guitar lessons. When she falls in love with Ali, she becomes attached to Leila, his 4-year-old daughter. She loves her like her own, but to love other people’s children is risky. Cast: Virginie Efira, Roschdy Zem, Chiara Mastroianni, Callie Ferreira-Goncalves, Yamée Couture, Michel Zlotowski. U.S. Premiere. Fiction. Available online. Squaring the Circle (The Story of Hipgnosis) / U.K. (Director: Anton Corbijn, Screenwriter, and Producer: Trish D Chetty, Producers: Ged Doherty, Colin Firth) — An inside look at the studio responsible for some of the most iconic and recognizable album covers of all time. From Pink Floyd’s The Dark Side of the Moon to Led Zeppelin’s Houses of the Holy, the studio ruled the ’70s. Documentary. Available online. KIDS This section of the Festival is especially for our youngest independent film fans. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress, and Shaun the Sheep. Aliens Abducted My Parents and Now I Feel Kinda Left Out / U.S.A. (Director and Producer: Jake Van Wagoner, Screenwriter and Producer: Austin Everett, Producers: Micah Merrill, Maclain Nelson, Jeremy Prusso) — Itsy is new in town and her life seems over until she meets her space-obsessed neighbor Calvin, who believes his parents were abducted by aliens. An aspiring journalist, Itsy decides to write an exposé on Calvin but ends up discovering much more. Cast: Emma Tremblay, Jacob Buster, Will Forte, Elizabeth Mitchell, Kenneth Cummins, Matt Biedel. World Premiere. Fiction. Available online. The Amazing Maurice / Germany, U.K. (Director: Toby Genkel, Screenwriter: Terry Rossio, Producers: Emely Christians, Andrew Baker, Robert Chandler) — A streetwise cat and his gang of rats who come up with a perfect money-making scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett. Cast: Hugh Laurie, Emilia Clarke, Himesh Patel, Gemma Arterton. North American Premiere. Fiction. Available online. Blueback / Australia (Director, Screenwriter, and Producer: Robert Connolly, Producers: Liz Kearney, James Grandison) — An intimate mother-daughter relationship is forged by the women’s keen desire to protect the inhabitants of the pristine blue oceans on the Australian coast where they live. Adapted from Tim Winton’s bestselling and critically acclaimed novella. Cast: Mia Wasikowska, Eric Bana, Radha Mitchell, Ilsa Fogg, Liz Alexander, Ariel Donoghue. U.S. Premiere. Fiction. SALT LAKE CITY OPENING NIGHT GALA FILM The Sundance Film Festival® The Sundance Film Festival, a program of the nonprofit, Sundance Institute, is the pre-eminent gathering of original storytellers and audiences seeking new voices and fresh perspectives. Since 1985, hundreds of films launched at the Festival have gone on to gain critical acclaim and reach new audiences worldwide. The Festival has introduced some of the most groundbreaking films and episodic works of the past three decades, including Fire of Love, Cha Cha Real Smooth, Flee, CODA, Passing, Summer Of Soul (…or, When the Revolution Could Not Be Televised), Clemency, Never Rarely Sometimes Always, Zola, O.J.: Made in America, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Top of the Lake, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The program consists of fiction and nonfiction features and short films, series and episodic content, emerging media, and performances, as well as conversations, and other events. The Festival takes place both in person in the state of Utah and online, connecting audiences across the U.S. to bold new artists and films. The 2023 Festival takes place January 19–29. Be a part of the Festival at Sundance Film Festival and follow the Festival at Facebook, Instagram, Twitter, and YouTube. The Festival is a program of the nonprofit Sundance Institute. To date, 2023 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire®, Adobe; Leadership Sponsors – Audible, DIRECTV, Netflix, Omnicom Group, Shutterstock, Stacy’s Pita Chips, United Airlines, XRM Media; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., DoorDash, Dropbox, World of Hyatt®, IMDb, Lyft, MACRO, Rabbit Hole Bourbon & Rye, Stanley, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – IndieWire, Los Angeles Times, NPR, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. festival.sundance.org Sundance Institute As a champion and curator of independent stories, the nonprofit Sundance Institute provides and preserves the space for artists across storytelling media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings a global cohort of working artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported and showcased such projects as Summer of Soul (…or, When the Revolution Could Not Be Televised), CODA, Flee, Passing, Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won’t You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter, and YouTube. # # # EDITOR NOTE: DIRECTOR DEMOGRAPHICS The data we are sharing reflects information provided directly by the artists. Some artists chose not to self-identify in all data areas. U.S. COMPETITION: Dramatic: 61% or 8 of the 13 directors in this year’s U.S. Dramatic Competition identify as women; 61% or 8 of the 13 identify as people of color; 23% or 3 of the 13 identify as LGBTQ+. Documentary: 63% or 10 of the 16 directors in this year’s U.S. Documentary Competition identify as women; 63% or 10 of the 16 identify as people of color; 13% or 2 of the 16 identify as LGBTQ+; 6% or 1 of the 16 identify as a person with a disability. WORLD COMPETITION: Dramatic: 58% or 7 of the 12 directors in the World Dramatic Competition identify as women; 50% or 6 of the 12 identify as people of color; 25% or 3 out of 12 directors identify as LGBTQ+. Documentary: 46% or 6 of the 13 directors in the World Documentary Competition identify as women; 38% or 5 of the 13 as people of color; 23% or 3 of the 13 identify as LGBTQ+; 8% or 1 of the 13 identify as a person with a disability. FEATURE FILM SUBMISSIONS: Of the 4,061 feature film submissions, 1,662 were from the U.S. and 2,399 were international; 1,105 (27%) were directed by one or more filmmakers who identify as women; 91 (2%) were directed by one or more filmmakers who identify as nonbinary individuals; 1,676 (41%) were directed by one or more filmmakers who identify as people of color; 547 (13%) were directed by one or more filmmakers who identify as LGBTQ+. ALL FEATURES: Of the 101 feature films announced so far, 54 (53%) were directed by one or more filmmakers who identify as women; 5 (5%) were directed by one or more filmmakers who identify as nonbinary individuals; 46 (45%) were directed by one or more filmmakers who identify as people of color; 20 (20%) by one or more filmmakers who identify as LGBTQ+; 3 (3%) by one or more filmmakers who identifies as a person with a disability.

 

Sundance 2023: ‘Against the Tide’ an Interview with director Sarvnik Kaur

Two Bombay fishermen navigate the effects of modernization on their friendship and livelihoods.

‘Against the Tide’ directed by Sarvnik Kaur, World Premiering at 2023 Sundance Film Festival in World Cinema Documentary Competition, is a masterful vérité doc from India.

Koli fisherman Rakesh (r.) checking his catch. Courtesy of Snooker Club Films.

The film is a moving portrait of a friendship tested by the strains of the modern world. Its power is in the same deeply emotional thrust delivered in Honeyland (for those who saw it in 2019), and surprisingly, it was edited by the same team behind Honeyland.

Rakesh has kept faith in the traditional fishing methods while Ganesh has strayed away from them, embracing technology. The film tells a tale of deep friendship and rising conflict between the two men against the backdrop of an adoring sea, which is increasingly turning hostile because of climate change.

Rakesh and Ganesh are so close, they consider themselves brothers. Both are fishermen of Bombay’s Indigenous Koli community, but they’ve taken contrasting paths. Rakesh uses his inheritance — his father’s boat and the knowledge passed down by generations of Koli fisherman — to fish in the traditional ways, while Ganesh — who was educated abroad — has instead embraced modern, technology-driven, and environmentally destructive methods of deep-sea fishing, causing increasing friction between the friends. But with declining fish populations caused by pollution and invasive species, neither man is finding much success, adding to the burdens facing their young families, and testing the bonds of their brotherhood.

Ganesh relaxes with his best friend Rakesh. Courtesy of Snooker Club Films.

Beyond the story itself, I was faced with the conundrum of more frequently occuring question of why do we work ourselves up being moved by films of people we learn to love, when we know the way of our materialistic world will destroy their way of life. “These people”, the Kolis, are inheritors of the ancient and great Koli knowledge system — a way to harvest the sea by following the moon and the tides. Does it make us better people to watch docs like this or Honeyland? How can we reconcile the intimate view of these two men and their families and communities with knowing that their way of life is doomed (in this case by technology and climate change)? What is the point of watchng these docs showing us all the injustice of the world? I know I am not going to become more active in fighting climate change. I am too busy living. So then what? What action can we take to rectify the way we know all too well the world is going? There are too many issues needing to be addressed; social action is way beyond my own time and energy.

After I praised the film for its beauty, its honesty, its intimacy and the love it revealed sustaining the traditional but poor Koli community living in Bombay and barely getting by in their heritage as fishermen, basically, that was my first question to the director Sarvnik Kaur.

What’s the point of it all?

Director Sarvnik Kaur’s response surprised me.

Director Sarvnik Kaur

SK: Making this film is a way for me to channel these things, to make sense of the world which is not following society’s mandates. I was given an opportunity to learn how to live life. I never thought about what the Kolis were going to do. The Kolis will take care of themselves. Life as it is lived on the outside, our modern obsession with possessions and growth of wealth does not encompass their lifestyle. They face hardships including finding food for their families while caring for newborn children as a community. With love, they create the joy of life and existence.

Kaur‘s deeply humanistic and intimate approach to these two men at a crossroads in both their friendship and profession immerses the viewer in their experiences, where neither man is hero or villain in the choices they make to survive in an imperiled world. She presents a microcosmic, sea level view of the fragility of our relationship with the changing environment while affirming what it is to be alive and human.

SK: Perhaps no one would put their problems on the table unless I did, but I did it for myself, to be honest and to learn about life from one of its sources. I learned so much from Rakesh, Ganesh and the community.

How did you begin your journey?

For the past ten years, I have lived next to a Koli village. This has allowed me to get closer to them, to witness their daily concerns. In 2016, when the regional authorities decided to transform their market into a commercial complex without consulting them, the “Collective of Women Fish Sellers” immediately put up resistance. I became actively involved with them and made some short films that they used to conduct their campaign.

This is how my journey with the Kolis began, in trying to be as helpful as I could be. I have spent the last five years with the Koli community and have come to understand their lives — the conflicts and the joys — as a filmmaker, as an ethnologist, and now as a friend. With time and patience, we have established a relationship of trust.

I began conceiving the idea in 2015 at the end of my film about Kashmir. That film ‘A Ballad of Maladies’ which explores the tradition of political resistance in Kashmir through the work of those poets, musicians and artists who have turned their art into weapons of resistance during periods of heightened state repression and violence in the region. The film was banned from broadcast on the national network but it won India’s 64th National Film Award for Best First Non-Feature Film in 2017, Best Film at the 11th biennial Film South Asia and Best Documentary at the 10th IDSFF Kerala.

Winning the award felt like a sort of co-option by the state, but the co-director certainly deserved an award.

I watched the Koli being pushed out and thought it was the same problem, though it was being labelled differently. My own honesty was at stake in telling their story as well, rather than being co-opted by the state who bestowed a prize on a film that was banned from ever being viewed. As an artist, I have only my own honesty. That the state took my story for its own purposes was unbearable. This new film gave me the chance to empty myself of their poisonous lying.

I wanted the film to be life affirming.

When did you begin shooting?

As I watched two friends, both indigenous Koli fishermen in Bombay, being driven to desperation by a dying sea and their friendship beginning to fracture as they take very different paths to provide for their struggling families.

Ganesh and Rakesh

Meeting Rakesh was like finding a treasure trove. He is not stupid. Generations before him have understood the moon and the movement of the stars and the fish. He took a marker and on my whiteboard drew a bird’s eye view from the moon and stars shining light upon his boat and how the moon’s refracted light attracted the fish and lit the way for the fisherman.

I realized the film was about one people (the Koli) becoming divided in itself. Watching these two men conversing in 2019, I knew that was how I would build the film. I saw there were two factions in the community and one faction was “othering” the “other”. Like two monkeys fighting while the cat comes and takes the cream, each side blames the other for the lack of fish which in truth is being depleted by offshore oil drilling and climate change.

Rakesh and Ganesh fight to survive in this implacable reality they have no control over. Their strategies for getting by diverge, sometimes clash, but what they have in common is that they are fueled by the same determination to exist in a changing and merciless world where respect for nature and tradition weighs very little in the face of the economic and internationalized interests of some.

Ganesh chooses a different route of bringing in LED lighting on a large scale to attract fish but which leads him into forbidden watersd as well as into compeitition with the Chinese and big business. Both struggle to survive. Rakesh’s solution is the most radical.

And in the end, the two are reconciled by the birth of a new child. Rakesh has solved the problem by selling his boat and downsizing to a smaller boat but catching only high-value fish like lobster which bring in higher prices sufficient to feed his family while keeping overhead low. He has dignity and no debt, lives more slowly and celebrates life.

What attracts you to your subjects? Your previous and first film, Soz — A Ballad of Maladies, explored the tradition of political resistance through music and poetry in Kashmir.

SK: The subjects reflect my own family’s history. My grandparents were born in Pakistan when the country was part of British India. In 1947, India and Pakistan were divided and the two countries entered into a mortal conflict, which continues today. My grandfather’s family, Sikhs, fled Pakistan to a refugee camp in New Delhi, where my father was born. In 1984, my grandparents managed to leave the camp and build a modest house, but it was completely destroyed during an anti-Sikh riot. I was one year old. My family had to move again.

I grew up with the trauma of these successive uprootings and a constant fear. This personal story brings me back to the Koli community, whose territory and tradition are also threatened. Bombay is a suffocated city where space is scarce and expensive. The Kolis’ lands are now the last available space in the city center and their owners, whose income depends on increasingly meager fisheries, are often forced to sell them to rich entrepreneurs or politicians who will build luxury residences with a view. The Kolis who still live there will be driven out in ten years by land pressure and rising waters. Even the most resistant, like Rakesh, will inexorably abandon their house and, with it, their way of life, a part of their history and their traditions. Like my father and his family, they will one day be displaced and become refugees.

Koli concerns are the concerns of all of Bombay. They’re the guardians of the city’s coast, the sea and even the mangroves. The Koli community of Bombay will be sacrificed for lucrative real estate deals and generalized inaction regarding climate change. It will soon disappear, and I am Zilming its last stirrings.India is one of the places where the effects of climate change are the most dramatic. Every year, the monsoon and the meteorological hazards become more violent and unpredictable. Since 2000, some of Mumbai’s shores have retreated by more than 20 meters and tomorrow, the city’s climate displaced will number, at the very least, in the hundreds of thousands. If nothing is done to curb climate change, many experts agree that Bombay will be largely submerged by 2050, with the Kolis’ land being the first to be flooded.

Rakesh is in a way the ancestral conscience of Ganesh. But by sticking to the age-old traditions of his people at all costs, he risks putting his family in danger. I didn’t want to make a film about who is good or bad; I wanted simply to witness and record as sincerely as possible the stakes that these two intelligent, honest and hard-working young men face, and the consequences that their decisions entail. By following the life of one and then the other, I hoped to make the viewer question his own convictions and the choices he would have made himself if he had been in their place.”

How did you begin and find support for this film?

SK: In December 2019 I shot a pilot for the film because I had the clarity of vision that it was about one community and the two “brothers” facing the crisis of the sea with its polution, lack of fish and that everything that was happening in the sea was showing itself in the financial crises, social crises and familial crises.

That’s how I started to get the workshops and funds. Once you begin, you are led, as if by your own nose. Then you find champions all over the world. If you care, you find others care about the story and the struggle.

It was life affirming. I felt lost, persecuted, alone. It was eye-opening that someone in Amsterdam or the US or France cared about my story and my struggles, to be recognized. The everyday lies are not the real world. The read world is in being true to oneself and then others lead you into life. That is the real world.

She is a recipient of multiple grants from Sundance Film Fund, Catapult Film Fund, IDFA Bertha, San Francisco Film Fund, AlterCine Foundation, HotDocs Crosscurrents International. She has also been a fellow at Hot Docs Accelerator Lab, IDFA Academy, SFFILM and the Chicken & Egg Eggcelerator Labs.

Further support came from Région Provence-Alpes-Côte d’Azur in collaboration with the CNC, Procirep Angoa.

Do you have advise for other doc filmmakers?

SK: Lower your ambitions and strenthen your resolve. I do not want the moon.

I understand how radical it is and how documentary filmmakers (and journalists) themselves manage to make meaning out of their lives just as the Koli fishing people do, by living in a community, covering costs and needs basic in order to live a life of joy, love and sharing. That is radical and that is the lesson so many people come away with when they delve into the deeper meaning of life.

Do like Rakesh, downsize to support your life and that which is most meaningful in it. Thank you very much Sarvnik! You have restored my own resolve!

For my readers who have gotten this far, here is more informatin about the key crew:

Producer Koval Bhatia

PRODUCER. Koval Bhatia is a filmmaker and producer based in India. She has been heading A Little Anarky Films for 12 years, during which time she has directed and produced commercials, impact films and TV shows. She began her journey as an international producer with Against The Tide, which she has pitched at multiple markets and forums across the world. She is currently a Getting Real Fellow at the International Documentary Association (IDA). Koval is a graduate from Eurodoc and a recipient of the Emerging Producer’s Bursary from the World Congress for Science and Factual Producers, and her feature documentaries as a producer have been awarded grants by Sundance Documentary Fund, Hot Docs, Catapult Film Fund, Docs By The Sea, SFFILM, Al Jazeera, and DOK Leipzig. She is a member of EWA and BGDM.

CO-PRODUCER. Quentin Laurent founded Les Films de l’Oœil Sauvage with Frédéric Féraud in 2015. Based in Paris and Marseille, the company mainly produces art-house documentaries and Quentin is particularly interested in non-Western narratives and viewpoints, in approaches that reveal spaces that have remained invisible or try to reconsider the perception of familiar places. He has recently produced or co-produced, Kinshasa Makamboby Dieudo Hamadi (Berlinale 2018), Overseas by Soa Yoon (Locarno 2019),Aswang by Alyx Arumpac (IDFA awarded 2019), Downstream to Kinshasa(Cannes 2020), Dreaming Wallsby Amélie van Elmbt and Maya Duverdier (Berlinale 2022), Things I Could Never Tell My Motherby Humaira Bilkis (Visions du Réel 2022), and Kristos the Last Childby Giulia Amati (Venice 20223)

CINEMATOGRAPHY. Ashok Meena is an independent cinematographer from Rajasthan, India. He did his post-graduate degree in cinematography from the Film and Television Institute of India, working towards building an independent visual language at work. Known for his experimental films and videos, his independent work has been traveling to festivals and art galleries across the world. Ashok has shot several documentary films including Kamal Swaroop’s Pushkar Puran,which had its European premiere at the 60th DOK Leipzig.

EDITING. Atanas Georgiev is one of the owners of Trice Films and Film Trick from Macedonia, subsidiaries of FX3X. His directorial and producing debut, Cash & Marry, won many international awards and recognition. It was followed by Avec l’Amour, a festival favorite in 2017 premiering at Hot Docs, and soon after with Honeyland in 2019, a triple winner at Sundance Film Festival and nominated for two Academy Awards: Best Documentary and Best International Feature for 2020.

EDITING. Blagoja Nedelkovskiis a film editor and musician based in Skopje, Macedonia. He graduated from the Faculty of Dramatic Arts in Film & TV editing in Skopje in 2000. For almost two decades he has actively working on feature films, documentaries, TV series and music videos in Macedonia and the Balkans. He has also spent some time in Vienna, Austria, where he freelanced as an editor and an artist so that he could pay for his music studies at the Music Konzervatorium Franz Shubert. Some of the more notable projects as an editor are the films Punk’s Not Dead, State of Shock, To the Hilt,The Year of the Monkey, and Honeyland.

SOUND DESIGN. Moinak Bose is a sound designer based out of Bombay, India. He is a graduate of the Film and Television Institute of India, Pune, with a specialization in sound recording and sound design. Moinak’s work includes the internationally acclaimed films A Night of Knowing Nothing in 2021 (sound design) and All That Breathes in 2022 (sound recording), both of which won L’Œil d’Or (The Golden Eye) for best documentary at Cannes. The films have been screened at many festivals and won top prizes at TIFF and Sundance Film Festival respectively. Against The Tide is his latest work as a sound designer

International sales agent is Deckert

North American Distribution: Submarine Entertainment.

Genre: Documentary

Country: India/France

Language: Koli, Marathi, Hindi

Year: 2023

Duration: 97 min.